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Who's Afraid of Red, Yellow and Blue is a series of four large-scale paintings by Barnett Newman painted between 1966 and 1970. Two of them have been the subject of vandalistic attacks in museums. The series' name was a reference to Who's Afraid of Virginia Woolf?, the 1962 play by Edward Albee, which was in itself a reference to "Who's Afraid of the Big Bad Wolf?", the 1933 song immortalized in Disney cartoons.

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  • Who’s Afraid of Red, Yellow and Blue (de)
  • Who's Afraid of Red, Yellow and Blue (pt)
  • Who's Afraid of Red, Yellow and Blue (en)
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  • Who’s Afraid of Red, Yellow and Blue (englisch für ‚Wer hat Angst vor Rot, Gelb und Blau‘) ist ein Bild von Barnett Newman in vier Variationen. Es steht in der Tradition des abstrakten Expressionismus und arbeitet mit der Wirkung großer monochromer Farbflächen und -streifen in Primärfarben. (de)
  • Who's Afraid of Red, Yellow and Blue is a series of four large-scale paintings by Barnett Newman painted between 1966 and 1970. Two of them have been the subject of vandalistic attacks in museums. The series' name was a reference to Who's Afraid of Virginia Woolf?, the 1962 play by Edward Albee, which was in itself a reference to "Who's Afraid of the Big Bad Wolf?", the 1933 song immortalized in Disney cartoons. (en)
  • Who's Afraid of Red, Yellow and Blue é uma série de quatro pinturas em grande escala de Barnett Newman, pintadas entre 1966 e 1970. Duas delas foram alvo de vandalismo em museus. O nome da série foi uma referência a Who's Afraid of Virginia Woolf?, a peça de 1962 de Edward Albee, que tinha referência a "", a música de 1933 imortalizada nos desenhos da Disney. (pt)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Who's_Afraid_of_Red,_Yellow,_and_Blue_I.svg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Who's_Afraid_of_Red,_Yellow,_and_Blue_III.svg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Who's_Afraid_of_Red,_Yellow,_and_Blue_IV.svg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Who’s_Afraid_of_Red,_Yellow_and_Blue_II.svg
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  • Who’s Afraid of Red, Yellow and Blue (englisch für ‚Wer hat Angst vor Rot, Gelb und Blau‘) ist ein Bild von Barnett Newman in vier Variationen. Es steht in der Tradition des abstrakten Expressionismus und arbeitet mit der Wirkung großer monochromer Farbflächen und -streifen in Primärfarben. (de)
  • Who's Afraid of Red, Yellow and Blue is a series of four large-scale paintings by Barnett Newman painted between 1966 and 1970. Two of them have been the subject of vandalistic attacks in museums. The series' name was a reference to Who's Afraid of Virginia Woolf?, the 1962 play by Edward Albee, which was in itself a reference to "Who's Afraid of the Big Bad Wolf?", the 1933 song immortalized in Disney cartoons. Barnett Newman started the first painting in the series without a preconceived notion of the subject or end result; he only wanted it to be different from what he had done until then, and to be asymmetrical. But after having painted the canvas red, he was confronted with the fact that only the other primary colours yellow and blue would work with it; this led to an inherent confrontation with the works of De Stijl and especially Piet Mondriaan, who had in the opinion of Newman turned the combination of the three colors into a didactic idea instead of a means of expression in freedom. (en)
  • Who's Afraid of Red, Yellow and Blue é uma série de quatro pinturas em grande escala de Barnett Newman, pintadas entre 1966 e 1970. Duas delas foram alvo de vandalismo em museus. O nome da série foi uma referência a Who's Afraid of Virginia Woolf?, a peça de 1962 de Edward Albee, que tinha referência a "", a música de 1933 imortalizada nos desenhos da Disney. Barnett Newman começou a primeira pintura da série sem uma noção preconcebida do assunto ou do resultado; ele só queria que fosse diferente do que já tinha feito até então, e que fosse assimétrico. Contudo, após pintar a tela de vermelho, percebeu que apenas as outras cores primárias, amarelo e azul, funcionariam com ela; isso levou a um confronto inerente com as obras de De Stijl, e especialmente Piet Mondriaan, que na opinião de Newman transformou a combinação das três cores em uma ideia didática ao invés de um meio de expressão em liberdade. (pt)
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