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The first international exhibition of art by female artists opened on December 21, 1976 at a time when the Feminist Art Movement was gaining in support and momentum. The show was curated by Professors Ann Sutherland Harris and Linda Nochlin and included eighty-three artists from twelve countries. The four-city exhibition was organized by the Los Angeles County Museum of Art and was on view there from December 21, 1976 through March 1977. The exhibition went on to show at the University Art Museum in Austin, Texas and then to the Carnegie Museum of Art in Pittsburgh, Pennsylvania, after which it completed its run at the Brooklyn Museum in New York. The Alcoa Foundation and the National Endowment for the Arts provided grants for the exhibition. The show became an important event in the histo

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  • Women Artists: 1550-1950 (es)
  • Women Artists: 1550-1950 (fr)
  • Women Artists: 1550-1950 (en)
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  • Women Artists: 1550-1950 (en français « Femmes artistes : 1550-1950 ») est une exposition artistique consacrée aux femmes artistes, présentée initialement au musée d'Art du comté de Los Angeles du 23 décembre 1976 au 13 mars 1977. L'évènement, d'ampleur internationale, est organisé par les historiennes de l'art Linda Nochlin et Ann Sutherland Harris. (fr)
  • Women Artist: 1550-1950 fue la primera exposición de mujeres artistas que se celebró a nivel internacional. Se inauguró el 21 de diciembre de 1976 ​ en un momento en que el abordaje del arte desde la perspectiva feminista estaba ganando apoyo e impulso. La muestra fue comisariada por las profesoras Ann Sutherland Harris y Linda Nochlin e incluyó ochenta y tres artistas de doce países. (es)
  • The first international exhibition of art by female artists opened on December 21, 1976 at a time when the Feminist Art Movement was gaining in support and momentum. The show was curated by Professors Ann Sutherland Harris and Linda Nochlin and included eighty-three artists from twelve countries. The four-city exhibition was organized by the Los Angeles County Museum of Art and was on view there from December 21, 1976 through March 1977. The exhibition went on to show at the University Art Museum in Austin, Texas and then to the Carnegie Museum of Art in Pittsburgh, Pennsylvania, after which it completed its run at the Brooklyn Museum in New York. The Alcoa Foundation and the National Endowment for the Arts provided grants for the exhibition. The show became an important event in the histo (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Women_Artists_1550-1950,_Installed_at_the_Brooklyn_Museum_October_1,_1977_through_November_27,_1977_01.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Women_Artists_1550-1950,_Installed_at_the_Brooklyn_Museum_October_1,_1977_through_November_27,_1977_02.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Women_Artists_1550-1950,_Installed_at_the_Brooklyn_Museum_October_1,_1977_through_November_27,_1977_03.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Women_Artists_1550-1950,_Installed_at_the_Brooklyn_Museum_October_1,_1977_through_November_27,_1977_04.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Women_Artists_1550-1950,_Installed_at_the_Brooklyn_Museum_October_1,_1977_through_November_27,_1977_05.jpg
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Event Name
  • Women Artists: 1550-1950 (en)
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  • The exhibition Women Artists: 1550-1950 at the Brooklyn Museum, New York (en)
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  • Los Angeles County Museum of Art, Los Angeles, California; University Art Museum, Austin, Texas; Carnegie Museum of Art, Pittsburgh, Pennsylvania; Brooklyn Museum, Brooklyn, New York (en)
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  • The first international art exhibition made up entirely of art created by professional female artists. (en)
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  • Women Artists: 1550-1950 (en français « Femmes artistes : 1550-1950 ») est une exposition artistique consacrée aux femmes artistes, présentée initialement au musée d'Art du comté de Los Angeles du 23 décembre 1976 au 13 mars 1977. L'évènement, d'ampleur internationale, est organisé par les historiennes de l'art Linda Nochlin et Ann Sutherland Harris. (fr)
  • Women Artist: 1550-1950 fue la primera exposición de mujeres artistas que se celebró a nivel internacional. Se inauguró el 21 de diciembre de 1976 ​ en un momento en que el abordaje del arte desde la perspectiva feminista estaba ganando apoyo e impulso. La muestra fue comisariada por las profesoras Ann Sutherland Harris y Linda Nochlin e incluyó ochenta y tres artistas de doce países. La exposición se celebró en primer lugar en el Museo de Arte del Condado de Los Ángeles, entre diciembre de 1976 y marzo de 1977. Posteriormente, se trasladó al Museo de Arte de la Universidad de Austin, Texas, después al Museo de Arte Carnegie en Pittsburgh, Pensilvania y, finalmente, completó su recorrido en el Museo de Brooklyn de Nueva York.​ La Fundación Alcoa y el National Endowment for the Arts aportaron fondos para la exposición.​ Esta muestra se convirtió en un hito fundamental para la historia del arte, presentando a un público acostumbrado a un relato histórico dominado por los hombres, a las importantes contribuciones de las mujeres artistas. Además, fue el punto de partida para investigar y visibilizar la vida y obra de numerosas artistas hasta entonces desconocidas. Libros como Mujer, arte y sociedad de Whitney Chadwick y otros manuales posteriores sobre mujeres artistas tuvieron en el catálogo de la exposición su referencia fundamental.​ (es)
  • The first international exhibition of art by female artists opened on December 21, 1976 at a time when the Feminist Art Movement was gaining in support and momentum. The show was curated by Professors Ann Sutherland Harris and Linda Nochlin and included eighty-three artists from twelve countries. The four-city exhibition was organized by the Los Angeles County Museum of Art and was on view there from December 21, 1976 through March 1977. The exhibition went on to show at the University Art Museum in Austin, Texas and then to the Carnegie Museum of Art in Pittsburgh, Pennsylvania, after which it completed its run at the Brooklyn Museum in New York. The Alcoa Foundation and the National Endowment for the Arts provided grants for the exhibition. The show became an important event in the history of art, introducing viewers, who were accustomed to a history of art dominated by men, to the important contributions of women artists. However, the show consisted almost entirely of white female artists. The show only included one artist of color, Frida Kahlo, and no black artists. (en)
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