| rdfs:comment
| - Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city in 1735, but were considered lost until a copy of the print was found in a private collection in 2015 by viola da gamba player and musicologist Thomas Fritzsch. (en)
- Les 12 Fantasias für Violin ohne Bass (12 Fantaisies pour violon seul) (TWV 40:14 à 40:25) sont une œuvre de Georg Philipp Telemann publiée à Hambourg en 1735. C'est l'un des recueils de musique pour instrument solo de Telemann, les autres étant les 12 fantaisies pour flûte seule, les 36 fantaisies pour clavecin publiées en 1732–33 et les 12 fantaisies pour viole de gambe publiées en 1735, mais maintenant perdues. Ce recueil est constitué de : (fr)
- Le 12 fantasie per violino solo TWV 40:14–25 sono un'opera di Georg Philipp Telemann pubblicata ad Amburgo nel 1735. Esse costituiscono una delle raccolte che Telemann scrisse per uno strumento non accompagnato, insieme alle 12 per flauto traverso, alle 36 per clavicembalo e alle 12 per viola da gamba. La raccolta è così composta: (it)
|
| has abstract
| - Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city in 1735, but were considered lost until a copy of the print was found in a private collection in 2015 by viola da gamba player and musicologist Thomas Fritzsch. This collection consists of the following works: 1.
* Fantasia in B-flat major (Largo—Allegro—Grave—Si replica l'allegro) 2.
* Fantasia in G major (Largo—Allegro—Allegro) 3.
* Fantasia in F minor (Adagio—Presto—Grave—Vivace) 4.
* Fantasia in D major (Vivace—Grave—Allegro) 5.
* Fantasia in A major (Allegro—Presto—Allegro—Presto—Andante—Allegro) 6.
* Fantasia in E minor (Grave—Presto—Siciliana—Allegro) 7.
* Fantasia in E-flat major (Dolce—Allegro—Largo—Presto) 8.
* Fantasia in E major (Piacevolumente—Spirituoso—Allegro) 9.
* Fantasia in B minor (Siciliana—Vivace—Allegro) 10.
* Fantasia in D major (Presto—Largo—Allegro) 11.
* Fantasia in F major (Un poco vivace—Soave—Da capo un poco vivace—Allegro) 12.
* Fantasia in A minor (Moderato—Vivace—Presto) This scheme does not resemble that of the twelve flute fantasies, which progress in a roughly stepwise direction from A major to G minor. However, some overall structure seems to be implied: the first movement of Fantasia 7 subtly references the opening of the first fantasia in the collection, indicating that Telemann possibly conceived this work as two groups of 6 fantasias. He has, indeed, described the collection as "12 fantasias ... of which 6 include fugues and 6 are Galanterien", with "fugues" referencing the contrapuntal style of certain fantasias. Telemann's violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic writing for violin, as Telemann himself was a self-taught violinist. Much of the music reveals the influence of Italian sonatas and concertos, but the typical tendency of German solo violin music to rely on polyphony is still present: fantasias 2, 3, 5, 6, and 10 all include fugues and employ much double-stopping. (en)
- Les 12 Fantasias für Violin ohne Bass (12 Fantaisies pour violon seul) (TWV 40:14 à 40:25) sont une œuvre de Georg Philipp Telemann publiée à Hambourg en 1735. C'est l'un des recueils de musique pour instrument solo de Telemann, les autres étant les 12 fantaisies pour flûte seule, les 36 fantaisies pour clavecin publiées en 1732–33 et les 12 fantaisies pour viole de gambe publiées en 1735, mais maintenant perdues. Ce recueil est constitué de : 1.
* Fantasia in B-dur (en si bémol majeur, Largo—Allegro—Grave—Si replica l'allegro) 2.
* Fantasia in G-dur (en sol majeur, Largo—Allegro—Allegro) 3.
* Fantasia in f-moll (en fa mineur, Adagio—Presto—Grave—Vivace) 4.
* Fantasia in D-dur (en ré majeur, Vivace—Grave—Allegro) 5.
* Fantasia in A-dur (en la majeur, Allegro—Presto—Allegro—Andante—Allegro) 6.
* Fantasia in e-moll (en mi mineur, Grave—Presto—Siciliana—Allegro) 7.
* Fantasia in Es-dur (en mi bémol majeur, Dolce—Allegro—Largo—Presto) 8.
* Fantasia in E-dur (en mi majeur, Piacevolumente—Spirituoso—Allegro) 9.
* Fantasia in h-moll (en si mineur, Siciliana—Vivace—Allegro) 10.
* Fantasia in D-dur (en ré majeur, Presto—Largo—Allegro) 11.
* Fantasia in F-dur (en fa majeur, Un poco vivace—Soave—Da capo un poco vivace—Allegro) 12.
* Fantasia in a-moll (en la mineur, Moderato—Vivace—Presto) Cette structure n'est pas la même que celle des douze fantaisies pour flûte qui vont par étapes d'un la majeur à un sol majeur. Cependant une structure apparait tout de même : le premier mouvement de la fantaisie 7 fait référence au début de la première fantaisie, ceci impliquant que Telemann a peut-être composé cette œuvre comme deux groupes de six fantaisies. Il a en effet intitulé ce recueil "12 fantaisies […] dont 6 fugues et 6 Galanterien", les fugues faisant référence au contrepoint de certaines des fantaisies. (fr)
- Le 12 fantasie per violino solo TWV 40:14–25 sono un'opera di Georg Philipp Telemann pubblicata ad Amburgo nel 1735. Esse costituiscono una delle raccolte che Telemann scrisse per uno strumento non accompagnato, insieme alle 12 per flauto traverso, alle 36 per clavicembalo e alle 12 per viola da gamba. La raccolta è così composta: 1.
* Fantasia in si bemolle maggiore (Largo—Allegro—Grave—Si replica l'allegro) 2.
* Fantasia in sol maggiore (Largo—Allegro—Allegro) 3.
* Fantasia in fa minore (Adagio—Presto—Grave—Vivace) 4.
* Fantasia in re maggiore (Vivace—Grave—Allegro) 5.
* Fantasia in la maggiore (Allegro—Presto—Allegro—Andante—Allegro) 6.
* Fantasia in mi minore (Grave—Presto—Siciliana—Allegro) 7.
* Fantasia in mi bemolle maggiore (Dolce—Allegro—Largo—Presto) 8.
* Fantasia in mi maggiore (Piacevolumente—Spirituoso—Allegro) 9.
* Fantasia in si minore (Siciliana—Vivace—Allegro) 10.
* Fantasia in re maggiore (Presto—Largo—Allegro) 11.
* Fantasia in fa maggiore (Un poco vivace—Soave—Da capo un poco vivace—Allegro) 12.
* Fantasia in la minore (Moderato—Vivace—Presto) Questo schema non riprende quello delle dodici per flauto traverso, che procedono essenzialmente per gradi da la maggiore a sol minore. Sembra però che una certa struttura interna sia presente: il primo movimento della fantasia 7 si rifà all'inizio della prima, lasciando pensare che Telemann le abbia concepite come due gruppi di sei fantasie. Effettivamente, il titolo da lui dato è 12 fantasie [...] delle quali 6 contengono fughe e 6 sono galanterie, dove con "fughe" si intende lo stile contrappuntistico. Queste fantasie mostrano la padronanza non solo delle melodie composite, ma anche della scrittura idiomatica del violino, dato che Telemann era un violinista autoditatta. Molti dei pezzi rivelano l'influenza delle sonate e dei concerti italiani, pur mantenendo l'abitudine tipicamente tedesca di trattare il violino in modo polifonico: le fantasie 2, 3, 5, 6, e 10 contengono infatti delle fughe e fanno spesso ricorso alle corde doppie. (it)
|
![[RDF Data]](/fct/images/sw-rdf-blue.png)
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)
