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acceptera (1931) is a Swedish modern architecture manifesto written by architects Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén, and art historian Gregor Paulsson. Claiming that Swedish “building-art” (byggnadskonst) has failed to keep pace with the revolutionary social and technological change sweeping Europe in the early 20th century, the authors argue that the production of housing and consumer goods must embrace a functionalist orientation in order to meet the particular cultural and material needs of both modern society and the modern individual. Combining social analysis with an iconoclastic critique of contemporary architecture and handicraft, acceptera ardently calls upon its readers not to shrink back from modernity, but rather to “accept the reality that e

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  • Acceptera (de)
  • Acceptera (en)
  • Acceptera (es)
  • Acceptera (sv)
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  • Acceptera war eine im Jahr 1931 von führenden schwedischen Architekten und Intellektuellen verfasste Streitschrift, die eine wichtige Rolle bei der Durchsetzung des Funktionalismus in der schwedischen Architektur und im schwedischen Design spielte. Die Verfasser des Manifests waren Gregor Paulsson, Sven Markelius, Uno Åhrén, Gunnar Asplund, und . Alle diese Autoren hatten auch schon an der Stockholmer Ausstellung 1930 teilgenommen. (de)
  • acceptera är titeln på en svensk debattbok och propagandaskrift för funktionalismens idéer, publicerad 1931. Boken behandlar arkitektur, bostadsfrågor och stadsplanering och även funktionalism som en livsåskådning, och argumenterar för att den nya tidens funktionalistiska formspråk måste accepteras. (sv)
  • acceptera (1931) is a Swedish modern architecture manifesto written by architects Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén, and art historian Gregor Paulsson. Claiming that Swedish “building-art” (byggnadskonst) has failed to keep pace with the revolutionary social and technological change sweeping Europe in the early 20th century, the authors argue that the production of housing and consumer goods must embrace a functionalist orientation in order to meet the particular cultural and material needs of both modern society and the modern individual. Combining social analysis with an iconoclastic critique of contemporary architecture and handicraft, acceptera ardently calls upon its readers not to shrink back from modernity, but rather to “accept the reality that e (en)
  • acceptera (1931) es un manifiesto de arquitectura moderna sueca escrito por los arquitectos Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén y el historiador de arte . Afirmando que el «arte de la construcción» sueca (byggnadskonst) no ha logrado seguir el ritmo del revolucionario cambio social y tecnológico que arrasó Europa a principios del siglo XX, los autores argumentan que la producción de viviendas y bienes de consumo debe adoptar una orientación funcionalista para satisfacer las necesidades culturales y materiales particulares de la sociedad moderna y del individuo moderno. Combinando el análisis social con una crítica iconoclasta de la arquitectura contemporánea y la artesanía, acceptera llama fervientemente a sus lectores a que no retrocedan de la modernidad, (es)
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  • acceptera (en)
name
  • acceptera (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Stockh_1930_4.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Acceptera_1931a.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Acceptera_1931b.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Stadsplanesystem.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Stockh_1930_9.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Wilhelm_Fredriksson,_Tibble,_Uppland,_Sweden.jpg
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  • right (en)
author
  • Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, and Uno Åhrén (en)
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  • #c6dbf7 (en)
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  • Cover of the first edition (en)
country
  • Sweden (en)
genre
  • Architecture (en)
language
  • Swedish (en)
quote
  • : “Our requirements are more modest but at the same time more responsible: buildings, furniture, drinking glasses may well be consumer items that we can destroy without regret after they have served for some short or long period, but while we use them we expect them to fulfill their role and serve us perfectly, so perfectly that we can also derive aesthetic enjoyment from observing them in use.” (en)
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  • right (en)
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  • — acceptera, p.181-182 (en)
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