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After the Deluge, also known as The Forty-First Day, is a Symbolist oil painting by English artist George Frederic Watts, first exhibited as The Sun in an incomplete form in 1886 and completed in 1891. It shows a scene from the story of Noah's Flood, in which after 40 days of rain Noah opens the window of his Ark to see that the rain has stopped. Watts felt that modern society was in decline owing to a lack of moral values, and he often painted works on the topic of the Flood and its cleansing of the unworthy from the world. The painting takes the form of a stylised seascape, dominated by a bright sunburst breaking through clouds. Although this was a theme Watts had depicted previously in The Genius of Greek Poetry in 1878, After the Deluge took a radically different approach. With this pa

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  • ما بعد الطوفان (لوحة) (ar)
  • After the Deluge (painting) (en)
  • Tras el diluvio (es)
  • Après le déluge (fr)
  • Depois do Dilúvio (pt)
  • После потопа (картина) (ru)
  • Після потопу (картина) (uk)
  • 洪水过后 (zh)
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  • لوحة ما بعد الطوفان، وتُعرف أيضًا باسم اليوم الحادي والأربعون، هي لوحة زيتية رمزية للفنان الإنجليزي جورج فريدريك واتس، يصل ارتفاعها إلى 104 سنتيمتر وعرضها 178 سنتيمتر. عُرضت في البداية على أنها الشمس، في هيئة غير مُكتملة فيما بين عامي 1885-1886، واكتملت عام 1891. (ar)
  • After the Deluge, also known as The Forty-First Day, is a Symbolist oil painting by English artist George Frederic Watts, first exhibited as The Sun in an incomplete form in 1886 and completed in 1891. It shows a scene from the story of Noah's Flood, in which after 40 days of rain Noah opens the window of his Ark to see that the rain has stopped. Watts felt that modern society was in decline owing to a lack of moral values, and he often painted works on the topic of the Flood and its cleansing of the unworthy from the world. The painting takes the form of a stylised seascape, dominated by a bright sunburst breaking through clouds. Although this was a theme Watts had depicted previously in The Genius of Greek Poetry in 1878, After the Deluge took a radically different approach. With this pa (en)
  • Tras el diluvio (inglés: After the Deluge) o El día cuadragésimo primero (The Forty-First Day) es una pintura al óleo simbolista del artista inglés George Frederick Watts, exhibida por primera vez como El sol en forma incompleta en el barrio londinense Whitechapel en 1886 y completada en 1891. Muestra una escena del Diluvio universal con el Arca de Noé, en el que después de 40 días de lluvia Noé abre la ventana de su Arca para ver que la lluvia ha cesado. Watts sintió que la sociedad moderna estaba en declive debido a la falta de valores morales, y a menudo pintó obras sobre el tema del Diluvio y su limpieza de los indignos del mundo. La pintura toma la forma de un paisaje marino estilizado, dominado por un resplandor solar brillante que atraviesa las nubes. Aunque este era un tema que Wat (es)
  • Après le déluge (en anglais After the Deluge ou The Forty-First Day) est une peinture à l'huile symboliste de l'artiste anglais George Frederic Watts, exposée pour la première fois sous sa forme incomplète en 1886 et achevée en 1891. Il s'agit d'une interprétation du mythe du Déluge, dans lequel après 40 jours de pluie Noé ouvre la fenêtre de son arche afin de voir apparaître un soleil radieux. Watts estime que la société moderne qu'il côtoie subit un vide de valeurs morales et il représentera souvent dans ses œuvres le thème du Déluge et de son nettoyage des "indignes". La peinture prend la forme d'un paysage marin stylisé et dominé par un puissant rayon de soleil à travers les nuages. Bien que ce soit un thème que Watts avait précédemment représenté dans Le Génie de la poésie grecque en (fr)
  • «По́сле пото́па» (англ. After the Deluge), также — «Со́рок пе́рвый де́нь» (англ. The Forty-First Day) и «Со́лнце» (англ. The Sun) — картина английского художника Джорджа Фредерика Уоттса, написанная им в 1891 году. (ru)
  • Depois do Dilúvio, também conhecida como O Quadragésimo Primeiro Dia, é um pintura a óleo simbolista do artista inglês George Frederic Watts, inicialmente apresentada como O Sol de forma incompleta em 1886 e completa em 1891. A obra mostra mostra uma cena da história do Dilúvio, na qual depois de 40 dias de chuva Noé abre a janela de sua arca para ver que a chuva parou. Watts sentiu que a sociedade moderna estava em declínio devido à falta de valores morais e ele com frequência pintou obras com o tema do Dilúvio e sua purificação do que era desprezível no mundo. A pintura toma a forma de uma vista do mar estilizada, dominada por um brilhante clarão do sol partindo-se através das nuvens. Embora este tenha sido um tema que Watts havia retratado anteriormente em O Gênio da Poesia Grega em 187 (pt)
  • «Після потопу» (англ. After the Deluge), відома також як «Сорок перший день» (англ. The Forty-First Day) — картина англійського художника-символіста Джорджа Фредеріка Воттса. Незавершена версія картини була представлена публіці під назвою «Сонце» (англ. The Sun) у 1886 році, завершена — у 1891 році. (uk)
foaf:name
  • After the Deluge (en)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Giuseppe_Pelizza_-_Il_Sole.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Assistants_and_George_Frederic_Watts_-_Chaos_-_Google_Art_Project.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/George_Frederic_Watts_by_George_Frederic_Watts.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Joseph_Mallord_William_Turner_-_The_Morning_after_the_Deluge_-_WGA23180.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Watts_–_After_the_Deluge.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Watts_–_The_Genius_of_Greek_Poetry.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Edvard_Munch_-_The_Sun_(1911).jpg
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