• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Alfred Baur     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatSwissArtCollectors, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingyago:WikicatArtMuseumsAndGalleriesInSwitzerlandyago:WikicatAsianArtMuseumsyago:WikicatCollectorsOfAsianArtyago:Artifact100021939yago:CausalAgent100007347yago:Collector109936620yago:Depository103177349yago:Facility103315023yago:LivingThing100004258yago:Museum103800563yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:YagoGeoEntityyago:YagoLegalActoryago:YagoLegalActorGeoyago:YagoPermanentlyLocatedEntityyago:Whole100003553yago:WikicatSwissArtCollectors New Facet based on Instances of this Class

Alfred Baur (1865–1951) was born in Andelfingen, Switzerland, (Zurich). He attended school in Winterthur and joined a large international trading company which posted him in Colombo, Ceylon. When Baur came back to Switzerland in 1906, he settled in Geneva. During his travels Alfred Baur developed a passion for Oriental art. Interest in Oriental art had grown increasingly since the end of the previous century, stimulated as it was by scientific research, archeological excavation and the writings of a number of European experts.