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Many interpreters of Plato held that his writings contain passages with double meanings, called allegories, symbols, or myths, that give the dialogues layers of figurative meaning in addition to their usual literal meaning. These allegorical interpretations of Plato were dominant for more than fifteen hundred years, from about the 1st century CE through the Renaissance and into the 18th century, and were advocated by major Platonist philosophers such as Plotinus, Porphyry, Syrianus, Proclus, and Marsilio Ficino. Beginning with Philo of Alexandria (1st c. CE), these views influenced the Jewish, Christian, and Islamic interpretation of these religions' respective sacred scriptures. They spread widely during the Renaissance and contributed to the fashion for allegory among poets such as Dante

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  • تأويلات مجازية عند أفلاطون (ar)
  • Allegorical interpretations of Plato (en)
  • 플라톤의 우화 해석 (ko)
  • Interpretações alegóricas de Platão (pt)
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  • اعتقد العديد من مترجمي أعمال أفلاطون أن كتاباته تتضمن مقاطع ذات معنيين، تُدعى «المجازات» أو «الرموز»، تُضفي على الحوارات طبقات من المعاني الرمزية بالإضافة إلى معناها الحرفي المعتاد. بقيت هذه التأويلات المجازية لأفلاطون مهيمنة لأكثر من 150 سنة، منذ حوالي القرن الأول الميلادي وحتى عصر النهضة وامتدت حتى القرن التاسع عشر، وأيدتها شخصيات مهمة مثل أفلوطين، وبرقلس، ومارسيليو فيسينو. بدءًا من فيلون السكندري، أثرت وجهات النظر هذه على تأويلات اليهود، والمسيحيين، والمسلمين لكتبهم المقدسة. انتشرت على نطاق واسع في عصر النهضة وساهمت في نشر المجازية بين شعراء مثل دانتي أليغييري، وإدموند سبنسر، ووليم شكسبير. (ar)
  • Many interpreters of Plato held that his writings contain passages with double meanings, called allegories, symbols, or myths, that give the dialogues layers of figurative meaning in addition to their usual literal meaning. These allegorical interpretations of Plato were dominant for more than fifteen hundred years, from about the 1st century CE through the Renaissance and into the 18th century, and were advocated by major Platonist philosophers such as Plotinus, Porphyry, Syrianus, Proclus, and Marsilio Ficino. Beginning with Philo of Alexandria (1st c. CE), these views influenced the Jewish, Christian, and Islamic interpretation of these religions' respective sacred scriptures. They spread widely during the Renaissance and contributed to the fashion for allegory among poets such as Dante (en)
  • 다음은 플라톤의 알레고리해석에 관한 내용이다. 많은 플라톤 해석자들은 그의 작품들은 문자적 의미에 덧붙여서 <대화>속에서 은유적 의미를 주는 알레고리 혹은 상징들이라고 불리는 이중적 의미의 본문들을 가지고 있다고 한다. 플라톤의 이런 알레고리 해석은 1세기부터 르네상스와 18세기까지 지배적으로 사용되었다. 플로티노스, 프로클로스, 그리고 마르실리오 피치노와 같은 인물들에 의해서 사용되었다. 알렉산드리아의 필로때부터 시작된 이 견해는 유대인, 기독교인, 이슬람의 성경의 해석까지 영향을 주었다. 그들은 르네상스에 널리 퍼졌으며 단테, 스펜서, 셰익스피어와 같은 시인들 사이의 알레고리의 발전에 기여했다.현대에서 플라톤의 이런 해석은 거부되고 역사적인 맥락속에서 문서들을 해석한다.역사 학자들은 플라톤주의와 신 플라톤주의 사이의 단순한 구분을 거부하고 있으며, 플라톤을 알레고리로 읽는 전통은 지금도 활발한 연구 분야이다. (ko)
  • Muitos intérpretes de Platão sustentaram que seus escritos contêm passagens com duplo significado, chamadas 'alegorias' ou 'símbolos', que dão aos diálogos camadas de significado figurativo, além de seu significado literal usual. Essas interpretações alegóricas de Platão foram dominantes por mais de mil e quinhentos anos, desde o primeiro século EC até o Renascimento e ao século XVIII, e foram defendidas por figuras importantes como Plotino, Proclo e Ficino. Começando com Fílon de Alexandria (1 a. C.), essas visões influenciaram a interpretação judaica, cristã e islâmica de suas sagradas escrituras. Elas se espalharam amplamente no Renascimento e contribuíram para a moda de alegoria entre poetas como Dante, Spenser e Shakespeare. (pt)
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