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Amy Goldin (February 20, 1926 – April 2, 1978) was an American art critic who worked from 1965 until 1978. In those thirteen years, she published almost 200 pieces, from single paragraph reviews of current exhibitions, catalog essays, and book reviews. She covered topics that were unconventional at the time: Folk art, African-American art, craft, decoration, graffiti and Islamic art. Her writing appeared regularly in Arts, ARTnews, Artforum, Art Journal, New American Review, International Journal for Aesthetics and Art Criticism, and most frequently in Art in America, where she was a contributing editor.

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  • إيمي غولدن (ar)
  • Amy Goldin (en)
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  • إيمي غولدن (بالإنجليزية: Amy Goldin)‏ هي صحفية أمريكية، ولدت في 20 فبراير 1926، وتوفيت في 2 أبريل 1978. (ar)
  • Amy Goldin (February 20, 1926 – April 2, 1978) was an American art critic who worked from 1965 until 1978. In those thirteen years, she published almost 200 pieces, from single paragraph reviews of current exhibitions, catalog essays, and book reviews. She covered topics that were unconventional at the time: Folk art, African-American art, craft, decoration, graffiti and Islamic art. Her writing appeared regularly in Arts, ARTnews, Artforum, Art Journal, New American Review, International Journal for Aesthetics and Art Criticism, and most frequently in Art in America, where she was a contributing editor. (en)
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  • إيمي غولدن (بالإنجليزية: Amy Goldin)‏ هي صحفية أمريكية، ولدت في 20 فبراير 1926، وتوفيت في 2 أبريل 1978. (ar)
  • Amy Goldin (February 20, 1926 – April 2, 1978) was an American art critic who worked from 1965 until 1978. In those thirteen years, she published almost 200 pieces, from single paragraph reviews of current exhibitions, catalog essays, and book reviews. She covered topics that were unconventional at the time: Folk art, African-American art, craft, decoration, graffiti and Islamic art. Her writing appeared regularly in Arts, ARTnews, Artforum, Art Journal, New American Review, International Journal for Aesthetics and Art Criticism, and most frequently in Art in America, where she was a contributing editor. (en)
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