Antonio del Ceraiolo, also known as Antonio di Arcangelo (the nickname "Ceraiolo" derives from the profession of his father, a ceraiolo, or candle maker), was an Italian Renaissance painter active in his native Florence between 1518 and 1538. According to Giorgio Vasari, Ceraiolo was a pupil first of Lorenzo di Credi and then of Ridolfo Ghirlandaio, in whose biography he is mentioned. Vasari singled out Ceraiolo's abilities as a portraitist and mentioned two of his altarpieces, both of which survive at the Museo del Cenacolo di San Salvi, Florence. The first of these is a Crucifixion with Saints Francis and Mary Magdalen, originally in the church of San Jacopo tra' i fossi; the second a Saint Michael for the basilica of the Santissima Annunziata.
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| - Antonio del Ceraiolo (en)
- Antonio del Ceraiolo (fr)
- Antonio del Ceraiolo (in)
- Antonio del Ceraiolo (it)
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| - Antonio del Ceraiolo né Antonio di Arcangelo, nommé plus simplement il Ceraiolo, (Florence, XVIe siècle), est un peintre italien de l'école florentine (fr)
- Antonio del Ceraiolo (juga dikenal sebagai Antonio di Arcangelo) merupakan seorang pelukis Renaisans asal Italia, ia aktif di Firenze antara tahun 1520 dan 1538. Ia adalah murid Ridolfo Ghirlandaio, dan kemudian Lorenzo di Credi. (in)
- Antonio di Arcangelo detto Antonio del Ceraiolo o il Ceraiolo (Firenze, ... – ...; fl. XVI secolo) è stato un pittore italiano documentato tra il 1520 e il 1525 e verosimilmente attivo fino al 1538 circa.. Allievo di Ridolfo del Ghirlandaio e poi di Lorenzo di Credi, risentì molto della cultura della scuola di San Marco. (it)
- Antonio del Ceraiolo, also known as Antonio di Arcangelo (the nickname "Ceraiolo" derives from the profession of his father, a ceraiolo, or candle maker), was an Italian Renaissance painter active in his native Florence between 1518 and 1538. According to Giorgio Vasari, Ceraiolo was a pupil first of Lorenzo di Credi and then of Ridolfo Ghirlandaio, in whose biography he is mentioned. Vasari singled out Ceraiolo's abilities as a portraitist and mentioned two of his altarpieces, both of which survive at the Museo del Cenacolo di San Salvi, Florence. The first of these is a Crucifixion with Saints Francis and Mary Magdalen, originally in the church of San Jacopo tra' i fossi; the second a Saint Michael for the basilica of the Santissima Annunziata. (en)
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| - Antonio del Ceraiolo, also known as Antonio di Arcangelo (the nickname "Ceraiolo" derives from the profession of his father, a ceraiolo, or candle maker), was an Italian Renaissance painter active in his native Florence between 1518 and 1538. According to Giorgio Vasari, Ceraiolo was a pupil first of Lorenzo di Credi and then of Ridolfo Ghirlandaio, in whose biography he is mentioned. Vasari singled out Ceraiolo's abilities as a portraitist and mentioned two of his altarpieces, both of which survive at the Museo del Cenacolo di San Salvi, Florence. The first of these is a Crucifixion with Saints Francis and Mary Magdalen, originally in the church of San Jacopo tra' i fossi; the second a Saint Michael for the basilica of the Santissima Annunziata. Most of Ceraiolo's paintings are half-length images of the Madonna and Child, usually with the young Saint John the Baptist, Florence's patron saint. (en)
- Antonio del Ceraiolo né Antonio di Arcangelo, nommé plus simplement il Ceraiolo, (Florence, XVIe siècle), est un peintre italien de l'école florentine (fr)
- Antonio del Ceraiolo (juga dikenal sebagai Antonio di Arcangelo) merupakan seorang pelukis Renaisans asal Italia, ia aktif di Firenze antara tahun 1520 dan 1538. Ia adalah murid Ridolfo Ghirlandaio, dan kemudian Lorenzo di Credi. (in)
- Antonio di Arcangelo detto Antonio del Ceraiolo o il Ceraiolo (Firenze, ... – ...; fl. XVI secolo) è stato un pittore italiano documentato tra il 1520 e il 1525 e verosimilmente attivo fino al 1538 circa.. Allievo di Ridolfo del Ghirlandaio e poi di Lorenzo di Credi, risentì molto della cultura della scuola di San Marco. (it)
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