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Cinema Digital Sound (CDS) was a multi-channel surround sound format used for theatrical films in the early 1990s. The system was developed by Eastman Kodak and Optical Radiation Corporation. CDS was quickly superseded by Digital Theatre Systems (DTS) and Dolby Digital formats.

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  • Cinema Digital Sound (en)
  • Cinema Digital Sound (de)
  • Cinema Digital Sound (fr)
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  • Le Cinema Digital Sound (CDS) est une technique développée par Kodak, c'est la première application du son numérique au cinéma et la plus performante en format 35 mm. Cette technique est caractérisée par la présence de six pistes numériques sur le film. En 1991, The Doors d'Oliver Stone est le premier film en 35 mm présenté en Cinema Digital Sound - 6 pistes numériques. (fr)
  • Cinema Digital Sound (CDS) was a multi-channel surround sound format used for theatrical films in the early 1990s. The system was developed by Eastman Kodak and Optical Radiation Corporation. CDS was quickly superseded by Digital Theatre Systems (DTS) and Dolby Digital formats. (en)
  • Cinema Digital Sound (CDS) ist ein 1990 von Kodak und der eingeführtes digitales Tonaufnahmesystem. CDS ist das erste Tonaufnahmesystem, bei dem alle Stadien der Tonaufnahme und -wiedergabe digitalisiert sind. CDS verfügt, wie bereits Dolby Digital über sechs getrennte Tonkanäle nach dem 5.1-Schema sowie zwei ; fünf Tonspuren waren dabei unabhängig voneinander (Links, Mitte, Rechts, Surround links, Surround rechts), der sechste (Bass-)Kanal war frequenzbeschränkt. Für die Kompression wird verwendet. (de)
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  • Cinema Digital Sound (en)
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  • Cinema Digital Sound (en)
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  • CDS (en)
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  • Frames of 70mm “Terminator 2: Judgment Day” showing the CDS sound track along the left hand edge. (en)
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  • United States (en)
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  • Cinema Digital Sound (CDS) ist ein 1990 von Kodak und der eingeführtes digitales Tonaufnahmesystem. CDS ist das erste Tonaufnahmesystem, bei dem alle Stadien der Tonaufnahme und -wiedergabe digitalisiert sind. CDS verfügt, wie bereits Dolby Digital über sechs getrennte Tonkanäle nach dem 5.1-Schema sowie zwei ; fünf Tonspuren waren dabei unabhängig voneinander (Links, Mitte, Rechts, Surround links, Surround rechts), der sechste (Bass-)Kanal war frequenzbeschränkt. Für die Kompression wird verwendet. CDS-Ton konnte nur in entsprechend ausgerüsteten Kinos abgespielt werden; das Verfahren wird heute nicht mehr verwendet. Heute aktuelle digitale Tonverfahren im Kino sind Dolby Digital (ab 1992), DTS (ab 1993) und SDDS (ab 1993). (de)
  • Cinema Digital Sound (CDS) was a multi-channel surround sound format used for theatrical films in the early 1990s. The system was developed by Eastman Kodak and Optical Radiation Corporation. CDS was quickly superseded by Digital Theatre Systems (DTS) and Dolby Digital formats. CDS replaced the analogue audio tracks on 35 mm and 70 mm film prints with 5.1 discrete audio. The 5.1 tracks were encoded using 16-bit PCM audio in a delta modulation compression which resulted in a compression level of 4:1. The audio channels in CDS were arranged in the same way that most current 5.1 systems with Left, Center, Right, Left Surround, Right Surround and LFE. Dick Tracy (1990) was the first film encoded with CDS. Not all films with CDS soundtracks used all 5.1 channels; some, such as Edward Scissorhands (1990), used only the 4 channels that were supported by Dolby Stereo. Universal Soldier (1992) was the last film encoded with CDS. The digital information was printed on the film, similar to Dolby Digital and SDDS. However, unlike those formats, there was no analog optical backup in 35 mm and no magnetic backup in 70 mm, meaning that if the digital information were damaged in some way, there would be no sound at all. This was one of the factors that contributed to its inevitable demise; the then-new Dolby Digital format moved its information to another area (in between the film sprocket holes), preserving the optical tracks. (en)
  • Le Cinema Digital Sound (CDS) est une technique développée par Kodak, c'est la première application du son numérique au cinéma et la plus performante en format 35 mm. Cette technique est caractérisée par la présence de six pistes numériques sur le film. En 1991, The Doors d'Oliver Stone est le premier film en 35 mm présenté en Cinema Digital Sound - 6 pistes numériques. (fr)
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  • CDS
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