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Day After Day (French: Jour après jour) is a Canadian short documentary film, directed by Clément Perron and released in 1962. The film documents the routines of working-class life in a small paper mill town in Quebec, using experimental sound and film editing techniques to establish how much the town's public life is defined by the repetitive rhythms of the machines in the mill. The film won two Canadian Film Awards at the 15th Canadian Film Awards, for Best Arts and Experimental Film and Best Black-and-White Cinematography (Guy Borremans).

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  • Day After Day (film) (en)
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  • Day After Day (French: Jour après jour) is a Canadian short documentary film, directed by Clément Perron and released in 1962. The film documents the routines of working-class life in a small paper mill town in Quebec, using experimental sound and film editing techniques to establish how much the town's public life is defined by the repetitive rhythms of the machines in the mill. The film won two Canadian Film Awards at the 15th Canadian Film Awards, for Best Arts and Experimental Film and Best Black-and-White Cinematography (Guy Borremans). (en)
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  • Day After Day (en)
name
  • Day After Day (en)
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cinematography
country
  • Canada (en)
director
editing
  • Anne Claire Poirier (en)
language
  • French (en)
music
narrator
producer
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runtime
studio
writer
  • Clément Perron (en)
has abstract
  • Day After Day (French: Jour après jour) is a Canadian short documentary film, directed by Clément Perron and released in 1962. The film documents the routines of working-class life in a small paper mill town in Quebec, using experimental sound and film editing techniques to establish how much the town's public life is defined by the repetitive rhythms of the machines in the mill. The film won two Canadian Film Awards at the 15th Canadian Film Awards, for Best Arts and Experimental Film and Best Black-and-White Cinematography (Guy Borremans). (en)
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runtime (m)
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cinematography
film director
editing
music composer
narrator
producer
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auteur
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