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Defne Ayas (born 1976) is a curator, educator, and publisher in the field of contemporary art and its institutions. Ayas directed and advised many institutions and collaborative platforms across the world, including in China, South Korea, United States, Netherlands, Russia, Lithuania and Italy. She is known for conceiving exhibition and biennale formats within diverse geographies, in each instance composing interdisciplinary frameworks that provide historical anchoring and engagement with local conditions. Until June 2021, Ayas was the Artistic Director of 2021 Gwangju Biennale, together with Natasha Ginwala.

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  • Defne Ayas (en)
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  • Defne Ayas (born 1976) is a curator, educator, and publisher in the field of contemporary art and its institutions. Ayas directed and advised many institutions and collaborative platforms across the world, including in China, South Korea, United States, Netherlands, Russia, Lithuania and Italy. She is known for conceiving exhibition and biennale formats within diverse geographies, in each instance composing interdisciplinary frameworks that provide historical anchoring and engagement with local conditions. Until June 2021, Ayas was the Artistic Director of 2021 Gwangju Biennale, together with Natasha Ginwala. (en)
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  • Defne Ayas (en)
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name
  • Defne Ayas (en)
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  • Germany (en)
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  • Turkish, Dutch (en)
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  • Curator, Board member of Stedelijk Museum; Rijksakademie; Ephesus Foundation; Sabanci Museum; Protocinema; The New Centre for Research & Practice (en)
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  • Defne Ayas (born 1976) is a curator, educator, and publisher in the field of contemporary art and its institutions. Ayas directed and advised many institutions and collaborative platforms across the world, including in China, South Korea, United States, Netherlands, Russia, Lithuania and Italy. She is known for conceiving exhibition and biennale formats within diverse geographies, in each instance composing interdisciplinary frameworks that provide historical anchoring and engagement with local conditions. Until June 2021, Ayas was the Artistic Director of 2021 Gwangju Biennale, together with Natasha Ginwala. She was the director of the Witte de With Center for Contemporary Art in Rotterdam (2012-2017). Towards the end of her tenure in 2017, she announced that the institution had to change its name to dissociate itself from its namesake, the Dutch naval officer Witte Corneliszoon de With. The institution’s decision to change its name was immediately politicized, causing a flurry of controversy in the Netherlands. The decision for a name change was triggered by an Open Letter to Witte de With published on 14 June 2017 by Egbert Alejandro Martina, Ramona Sno, Hodan Warsame, Patricia Schor, Amal Alhaag, and Maria Guggenbichler, and the debates that followed. (en)
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