Document and Eyewitness is a live album by the post-punk band Wire. It marked the end of the first period of Wire's activity and the end of their association with EMI. The show records Wire after the tour to support 154, tired of playing the same old songs and continually moving forward. Of the seven songs, three were never recorded in-studio by Wire and the rest were captured as B-sides and other ephemeral recordings. Nine of the songs recorded live for the album were reworked and recorded for the band's 2013 album Change Becomes Us.
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| - Document and Eyewitness is a live album by the post-punk band Wire. It marked the end of the first period of Wire's activity and the end of their association with EMI. The show records Wire after the tour to support 154, tired of playing the same old songs and continually moving forward. Of the seven songs, three were never recorded in-studio by Wire and the rest were captured as B-sides and other ephemeral recordings. Nine of the songs recorded live for the album were reworked and recorded for the band's 2013 album Change Becomes Us. (en)
- Document and Eyewitness è il primo album live della post-punk band inglese Wire. Quest'album segnò il primo scioglimento della band e la fine della collaborazione con la EMI. Il concerto alla mostra i Wire dopo il tour in supporto dell'album 154, stanchi di suonare sempre lo stesso repertorio. L'album fu pubblicato inizialmente su doppio vinile, uno con le tracce registrate alla Notre Dame Hall e a Montreux, l'altro con quelle registrate alla Electric Ballroom. (it)
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| - Electric Ballroom, February 1980, Notre Dame Hall, July 1979 (en)
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| - Document and Eyewitness is a live album by the post-punk band Wire. It marked the end of the first period of Wire's activity and the end of their association with EMI. The show records Wire after the tour to support 154, tired of playing the same old songs and continually moving forward. Of the seven songs, three were never recorded in-studio by Wire and the rest were captured as B-sides and other ephemeral recordings. Nine of the songs recorded live for the album were reworked and recorded for the band's 2013 album Change Becomes Us. The Electric Ballroom show documents a band revelling in their (artistic) freedom, creating a surreal and challenging show that not only included almost all new material, but also a Dadaist cabaret including a moving 6'x12' sheet behind which the band performed, assorted headdresses and props, and an MC, Wire's manager Mick Collins, who tried to keep control of proceedings. The show was performed before a restive punk crowd who were little appeased by a version of (edited down to a 15-second fragment for this release) and reacted with a thrown bottle during the unnamed instrumental. The recording was made on an eight track tape recorder that was set up incorrectly, resulting in a distorted two track mix. The live version of 'Heartbeat' was recorded in Montreux in March 1979 when Wire supported Roxy Music. The original vinyl release was a double with the Electric Ballroom tracks on sides one and two and the Notre Dame Hall and Montreux tracks on sides three and four. The compact disc reissue switched the running order, beginning with Notre Dame and Montreux and following with the Electric Ballroom tracks. 'Our Swimmer' and 'Midnight Bahnhof Cafe' were originally released on Rough Trade as a 7" single (RT79) and are bonus tracks on Mute's CD reissue. In 2014, the band's label Pink Flag released a new version of the album which revises the original track list of the album and also includes a bonus disc, this disc also including the original CD bonus tracks. In a 1982 review for Trouser Press, Alec Ross said "there are high spots," but "[t]his live stuff...is just boring--a meandering parody of what made Wire intriguing." The album is included in The Quietus' list of its writers' "40 Favourite Live Albums". (en)
- Document and Eyewitness è il primo album live della post-punk band inglese Wire. Quest'album segnò il primo scioglimento della band e la fine della collaborazione con la EMI. Il concerto alla mostra i Wire dopo il tour in supporto dell'album 154, stanchi di suonare sempre lo stesso repertorio. Il concerto alla invece mostra la band nella sua libertà artistica: il gruppo creò un'esibizione surreale che non includeva solo nuove tracce, ma anche un cabaret dadaista con un foglio di 6 metri per 12 dietro il quale la band si esibiva.La versione live di Heartbeat è stata registrata a Montreux nel marzo 1979, quando i Wire erano di spalla ai Roxy Music. L'album fu pubblicato inizialmente su doppio vinile, uno con le tracce registrate alla Notre Dame Hall e a Montreux, l'altro con quelle registrate alla Electric Ballroom. (it)
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