E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player. The E9 is a popular tuning for single neck instruments of eight or more strings. This tuning has evolved in the last half of the twentieth century with input from prominent performers including Jimmy Day, Ralph Mooney and Buddy Emmons to support optimal chord and scale patterns across a single fret on the 10-string pedal steel guitar.
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| - E9 tuning (en)
- Nashville tuning (nl)
- Afinação Nashville (pt)
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| - E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player. The E9 is a popular tuning for single neck instruments of eight or more strings. This tuning has evolved in the last half of the twentieth century with input from prominent performers including Jimmy Day, Ralph Mooney and Buddy Emmons to support optimal chord and scale patterns across a single fret on the 10-string pedal steel guitar. (en)
- De Fake 12 of Nashville tuning is een manier om een zessnarige gitaar te laten klinken als een twaalfsnarige gitaar. Om dit effect te bereiken gebruikt men een afwijkende, zelf samen te stellen set stalen snaren op een akoestische ofwel westerngitaar. De stemming en de diktes (in inches) van de snaren zijn als volgt, waarbij de twee dunste snaren, e en b, normaal gestemd zijn, en de andere een octaaf hoger: Alhoewel minder gebruikelijk: om een speciale klank te verkrijgen kan de Nashville tuning ook op een dobro of resonator-gitaar worden toegepast, zie afbeelding. (nl)
- A afinação Nashville não é propriamente uma mudança na altura da afinação das notas das cordas soltas em um violão, mas a prática de, num violão com cordas de aço, trocar-se as quatro cordas mais graves — E, A, D e G — por outras mais leves, permitindo afiná-las uma oitava acima da afinação padrão. Isto é geralmente conseguido usando-se os pares leves de um jogo de 12 cordas, somente com as cordas leves no lugar das superiores. Esta configuração de cordas mais altas deixa o som do instrumento com uma textura mais cintilante. (pt)
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| - E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player. The E9 is a popular tuning for single neck instruments of eight or more strings. This tuning has evolved in the last half of the twentieth century with input from prominent performers including Jimmy Day, Ralph Mooney and Buddy Emmons to support optimal chord and scale patterns across a single fret on the 10-string pedal steel guitar. Corresponding tunings for a six string lap steel guitar are the E6 tuning E–G♯–B–C♯–E–G♯, or E7 tuning B–D–E–G♯–B–E. A popular E9 tuning for eight string console steel guitar is the Western swing tuning E–G♯–B–D–F♯–G♯–B–E, low to high and near to far. The standard Nashville E9 tuning also called the E9 Chromatic Tuning for ten string pedal steel guitar is B–D–E–F♯–G♯–B–E–G♯–D♯–F♯. (en)
- De Fake 12 of Nashville tuning is een manier om een zessnarige gitaar te laten klinken als een twaalfsnarige gitaar. Om dit effect te bereiken gebruikt men een afwijkende, zelf samen te stellen set stalen snaren op een akoestische ofwel westerngitaar. De stemming en de diktes (in inches) van de snaren zijn als volgt, waarbij de twee dunste snaren, e en b, normaal gestemd zijn, en de andere een octaaf hoger: Vaak worden voor de twee dikste snaren (of soms alleen voor de E) roundwounds gebruikt en voor de andere plain steel snaren. Gitaristen experimenteren ook graag zelf met verschillende combinaties van snaardiktes. Deze stemming wordt vooral in Nashville gebruikt, bij studio-opnames van westernmuziek. Vooral bij samenspel met een andere, gewoon gestemde ritmegitaar klinkt het heel bijzonder. Een handige bijkomstigheid is, dat een als Fake 12 gestemde western lichter te bespelen is dan een echte 12-string-westerngitaar. Alhoewel minder gebruikelijk: om een speciale klank te verkrijgen kan de Nashville tuning ook op een dobro of resonator-gitaar worden toegepast, zie afbeelding. (nl)
- A afinação Nashville não é propriamente uma mudança na altura da afinação das notas das cordas soltas em um violão, mas a prática de, num violão com cordas de aço, trocar-se as quatro cordas mais graves — E, A, D e G — por outras mais leves, permitindo afiná-las uma oitava acima da afinação padrão. Isto é geralmente conseguido usando-se os pares leves de um jogo de 12 cordas, somente com as cordas leves no lugar das superiores. Esta configuração de cordas mais altas deixa o som do instrumento com uma textura mais cintilante. As canções "Hey You", do álbum The Wall de Pink Floyd, e "Dust in the Wind", do álbum Point of Know Return de Kansas, são duas das mais conhecidas a usar a afinação Nashville. Em "Hey You", David Gilmour ainda trocou a corda E mais grave pela segunda E do par leve, fazendo com que ela ficasse afinada duas oitavas acima. Já na canção "Wild Horses", do álbum Sticky Fingers dos Rolling Stones, Keith Richards toca um violão de 12 cordas enquanto Mick Taylor toca simultaneamente um com afinação Nashville. (pt)
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