For a Reason is the sole studio album by English duo Lifetones, consisting of This Heat's Charles Bullen and his then-neighbour Julius Cornelius Samuel. It was released in 1983 under the Tone of Life imprint, and was later reissued in 2016 by Light in the Attic Records. The album - recorded in Cold Storage - combines post-punk and dub with a range of different stylistic influences from world music. Intended as a reaction against “the culture of death that was around” at the time, the album is also far more positive in comparison to Bullen's work with This Heat; its "koanic" and "ephemeral" lyrics subverting common linguistic cliches and tropes through repetition.
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| - For a Reason is the sole studio album by English duo Lifetones, consisting of This Heat's Charles Bullen and his then-neighbour Julius Cornelius Samuel. It was released in 1983 under the Tone of Life imprint, and was later reissued in 2016 by Light in the Attic Records. The album - recorded in Cold Storage - combines post-punk and dub with a range of different stylistic influences from world music. Intended as a reaction against “the culture of death that was around” at the time, the album is also far more positive in comparison to Bullen's work with This Heat; its "koanic" and "ephemeral" lyrics subverting common linguistic cliches and tropes through repetition. (en)
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| - For a Reason cover.jpeg (en)
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- post-punk (en)
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*Light in the Attic Records (en)
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| - For a Reason is the sole studio album by English duo Lifetones, consisting of This Heat's Charles Bullen and his then-neighbour Julius Cornelius Samuel. It was released in 1983 under the Tone of Life imprint, and was later reissued in 2016 by Light in the Attic Records. The album - recorded in Cold Storage - combines post-punk and dub with a range of different stylistic influences from world music. Intended as a reaction against “the culture of death that was around” at the time, the album is also far more positive in comparison to Bullen's work with This Heat; its "koanic" and "ephemeral" lyrics subverting common linguistic cliches and tropes through repetition. Mostly ignored in 1983, the album would go on to become an expensive & "sought-after" collector's item in the decades following its release. It received far more attention upon being reissued, with most of it being very positive in nature. The album has additionally garnered praised from musicians such as David Grubbs and Daniel O'Sullivan. (en)
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