The Harlem Artists Guild (1935–41) was an African-American organization founded by artists including Augusta Savage, Charles Alston, Elba Lightfoot, Louise E. Jefferson and bibliophile Arthur Schomburg with the aims of encouraging young talent, providing a forum for the discussion of the visual arts in the community, fostering understanding between artists and the public through education towards an appreciation of art, focusing on issues of general concern to Black artists such as racism, poverty and unemployment, and cooperating with agencies to improve conditions and raise standards of living and achievement among African-American artists. It is said to have had its origins in the dissatisfaction of African-American artists with the activities of the Harmon Foundation, and was described
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| - Harlem Artists Guild (en)
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| - The Harlem Artists Guild (1935–41) was an African-American organization founded by artists including Augusta Savage, Charles Alston, Elba Lightfoot, Louise E. Jefferson and bibliophile Arthur Schomburg with the aims of encouraging young talent, providing a forum for the discussion of the visual arts in the community, fostering understanding between artists and the public through education towards an appreciation of art, focusing on issues of general concern to Black artists such as racism, poverty and unemployment, and cooperating with agencies to improve conditions and raise standards of living and achievement among African-American artists. It is said to have had its origins in the dissatisfaction of African-American artists with the activities of the Harmon Foundation, and was described (en)
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| - The Harlem Artists Guild (1935–41) was an African-American organization founded by artists including Augusta Savage, Charles Alston, Elba Lightfoot, Louise E. Jefferson and bibliophile Arthur Schomburg with the aims of encouraging young talent, providing a forum for the discussion of the visual arts in the community, fostering understanding between artists and the public through education towards an appreciation of art, focusing on issues of general concern to Black artists such as racism, poverty and unemployment, and cooperating with agencies to improve conditions and raise standards of living and achievement among African-American artists. It is said to have had its origins in the dissatisfaction of African-American artists with the activities of the Harmon Foundation, and was described by co-founder Alston as "a pressure group to get more black artists on the federal projects." (en)
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