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About: Hex Enduction Hour     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : umbel-rc:MusicalComposition, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MusicAlbumworkMusical workwikidata:Q386724Albumyago:WikicatArtPunkAlbumsyago:WikicatTheFall(band)Albumsyago:WikicatUniversalDeluxeEditionsmusical workyago:Album106591815yago:Artifact100021939yago:Creation103129123yago:Edition106590446yago:Impression106590210yago:Instrumentality103575240yago:Medium106254669yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:Publication106589574yago:Work104599396albumyago:Whole100003553yago:Wikicat1982Albumsyago:WikicatAlbumsProducedByGrantShowbizumbel-rc:Album_IBOumbel-rc:MusicalComposition New Facet based on Instances of this Class

Hex Enduction Hour is the fourth studio album by the English post-punk group the Fall. Released on 8 March 1982, it builds on the low-fidelity production values and caustic lyrical content of their earlier recordings, and features a two-drummer lineup. Frontman Mark E. Smith establishes an abrasive Northern aesthetic built in part from the 20th century literary traditions of kitchen sink realism and magic realism. Smith described the album as an often-satirical but deliberate reaction to the contemporary music scene, a stand against "bland bastards like Elvis Costello and Spandau Ballet ... [and] all that shit."