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Hisayasu Satō (佐藤 寿保, Satō Hisayasu, born 15 August 1959 in Shizuoka City, Japan) is a Japanese exploitation film director. He has worked prolifically in the genre of pinku eiga films, which refers to Japanese films that prominently feature nudity or sexual content. His best-known works are the 1992 pink film The Bedroom and the 1996 V-Cinema splatter film Splatter: Naked Blood. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism.

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  • Hisayasu Satō (de)
  • Hisayasu Satō (en)
  • Hisayasu Satō (it)
  • Hisayasu Satō (fr)
  • 佐藤寿保 (ja)
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  • Hisayasu Satō (Shizuoka, 15 agosto 1959) è un regista giapponese. Esponente di spicco del cinema Pinku Eiga, è considerato tra i più importanti registi del genere, tanto da essere stato soprannominato, insieme a , e , Shintenno pinku (I quattro re celesti del rosa). (it)
  • 佐藤 寿保(さとう ひさやす、1959年8月15日 - )は、日本の映画監督。静岡県静岡市出身。東京工芸大学卒業。 (ja)
  • Hisayasu Satō (佐藤 寿保 Satō Hisayasu, * 15. August 1959 in Shizuoka, Japan) ist ein japanischer Regisseur. Bekannt ist er vor allem als Regisseur von Pink-Filmen mit einem Schwerpunkt auf dem Thema Body Horror. Insbesondere für Naked Blood wurde Satō mit dem kanadischen Regisseur David Cronenberg verglichen. (de)
  • Hisayasu Satō (佐藤 寿保, Satō Hisayasu, born 15 August 1959 in Shizuoka City, Japan) is a Japanese exploitation film director. He has worked prolifically in the genre of pinku eiga films, which refers to Japanese films that prominently feature nudity or sexual content. His best-known works are the 1992 pink film The Bedroom and the 1996 V-Cinema splatter film Splatter: Naked Blood. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. (en)
  • Hisayasu Satō alias Toshiyasu Satō (佐藤寿保, Satō Hisayasu), né le 15 août 1959 à Shizuoka, Japon, est un réalisateur de films promotionnels. Il a réalisé un grand nombre de pinku eigas (films roses) dont les plus connus sont The Bedroom (La chambre à coucher) (1992), et le film de V-cinema sanglant Splatter: Naked Blood (1996). Il est célèbre pour le style « coup de massue » de ses réalisations en se servant de sa filmographie pour « fustiger » des sujets sérieux comme l'obsession, l'aliénation sociale, la perversion (paraphilie) et le voyeurisme. Il est souvent comparé à un David Cronenberg japonais en raison de sa vision stoïque de l'horreur corporelle (tortures sanglantes). Avec les réalisateurs Kazuhiro Sano, et Takahisa Zeze ils forment à eux quatre "Four Heavenly Kings of Pink" (Les Q (fr)
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  • Hisayasu Satō (en)
name
  • Hisayasu Sato (en)
  • Hisayasu Satō (en)
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birth place
  • Shizuoka City, Japan (en)
birth date
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