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Joe Roland (May 17, 1920 – October 12, 2009) was an American jazz vibraphonist. Roland began as a clarinetist, attending the Institute of Musical Art (later known as the Juilliard School) from 1937 to 1939. He started on xylophone in 1940 and began playing vibraphone in the middle of the decade, playing in jazz clubs in New York City. Influenced by the nascent bebop movement, Roland put together his own ensembles late in the decade, and in the 1950s he played with Oscar Pettiford (1951), George Shearing (1951–1953), Howard McGhee, and Artie Shaw and his Gramercy Five (1953–1954), Freddie Redd (1955), Mat Mathews (1956), and Aaron Sachs (1956).

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  • جو رولاند (ar)
  • Joe Roland (de)
  • Joe Roland (en)
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  • جو رولاند (بالإنجليزية: Joe Roland)‏ هو عازف جاز أمريكي، ولد في 17 مايو 1920 في نيويورك في الولايات المتحدة، وتوفي في 12 أكتوبر 2009 في مقاطعة بالم بيتش في الولايات المتحدة. (ar)
  • Joe Roland (eigentlich Joseph Alfred Roland, * 17. Mai 1920 in New York City, New York; † 12. Oktober 2009 in Palm Beach County, Florida) war ein US-amerikanischer Vibraphonist des Modern Jazz. Joe Roland erlernte 1937 bis 1939 Klarinettenspiel an der New Yorker Juilliard School of Music und hatte als Klarinettist eigene Ensembles. Er spielte ab 1940 auch Xylophon. Von 1942 bis 1946 diente er in der US-Army; danach begann er sich mit dem Vibraphon zu befassen, arbeitete als freischaffender Musiker in New York und 1951 mit Oscar Pettiford zusammen. Von 1951 bis 1953 war er auch Mitglied der Band von George Shearing. Dann hatte er zusammen mit Howard McGhee eigene Gruppen und spielte 1953/54 in Artie Shaws Ensemble Gramercy Five. Dann spielte er wieder freelance in New York, u. a. 1956 mit M (de)
  • Joe Roland (May 17, 1920 – October 12, 2009) was an American jazz vibraphonist. Roland began as a clarinetist, attending the Institute of Musical Art (later known as the Juilliard School) from 1937 to 1939. He started on xylophone in 1940 and began playing vibraphone in the middle of the decade, playing in jazz clubs in New York City. Influenced by the nascent bebop movement, Roland put together his own ensembles late in the decade, and in the 1950s he played with Oscar Pettiford (1951), George Shearing (1951–1953), Howard McGhee, and Artie Shaw and his Gramercy Five (1953–1954), Freddie Redd (1955), Mat Mathews (1956), and Aaron Sachs (1956). (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Joe_Roland_Good_Vibes.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Joe_Roland_on_Vibraphone.jpg
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  • جو رولاند (بالإنجليزية: Joe Roland)‏ هو عازف جاز أمريكي، ولد في 17 مايو 1920 في نيويورك في الولايات المتحدة، وتوفي في 12 أكتوبر 2009 في مقاطعة بالم بيتش في الولايات المتحدة. (ar)
  • Joe Roland (eigentlich Joseph Alfred Roland, * 17. Mai 1920 in New York City, New York; † 12. Oktober 2009 in Palm Beach County, Florida) war ein US-amerikanischer Vibraphonist des Modern Jazz. Joe Roland erlernte 1937 bis 1939 Klarinettenspiel an der New Yorker Juilliard School of Music und hatte als Klarinettist eigene Ensembles. Er spielte ab 1940 auch Xylophon. Von 1942 bis 1946 diente er in der US-Army; danach begann er sich mit dem Vibraphon zu befassen, arbeitete als freischaffender Musiker in New York und 1951 mit Oscar Pettiford zusammen. Von 1951 bis 1953 war er auch Mitglied der Band von George Shearing. Dann hatte er zusammen mit Howard McGhee eigene Gruppen und spielte 1953/54 in Artie Shaws Ensemble Gramercy Five. Dann spielte er wieder freelance in New York, u. a. 1956 mit Mat Mathews und Aaron Sachs. Aufnahmen unter eigenem Namen, die von 1950 bis 1954 entstanden und an denen auch Herbie Mann beteiligt war, erschienen bei Savoy Records (Joltin' Joe). (de)
  • Joe Roland (May 17, 1920 – October 12, 2009) was an American jazz vibraphonist. Roland began as a clarinetist, attending the Institute of Musical Art (later known as the Juilliard School) from 1937 to 1939. He started on xylophone in 1940 and began playing vibraphone in the middle of the decade, playing in jazz clubs in New York City. Influenced by the nascent bebop movement, Roland put together his own ensembles late in the decade, and in the 1950s he played with Oscar Pettiford (1951), George Shearing (1951–1953), Howard McGhee, and Artie Shaw and his Gramercy Five (1953–1954), Freddie Redd (1955), Mat Mathews (1956), and Aaron Sachs (1956). Roland recorded occasionally as a leader; he released on Rainbow in 1949, on Savoy (1950, 1954), (1953–1954), and Bethlehem (1955). In the early sixties, Roland relocated from New York to Miami, Florida. He was an influential part of a thriving jazz scene in South Florida for many years. During his 13-year "gig" at Monty Trainer's Bayshore Restaurant in Coconut Grove, he was credited for having trained many young musicians from the University of Miami. He worked steadfastly throughout his life in local clubs accompanied by bassists such as Lew Berryman and Mark Trail, and singers like Sandy Patton. He died of natural causes at the age of 89 in Palm Beach County Florida. Roland's contributions can be appreciated in a quote from Peter Dempsy regarding Artie Shaw's Summit Ridge Drive album: "The Gramercy Five recordings of 1953 and 1954 document a brilliant phase in early modern jazz, manifested in the presence of pianist Hank Jones, guitarist Tal Farlow, bassist Tommy Potter and vibraphonist Joe Roland. (en)
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