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Joy is a 2018 Austrian drama film directed and written by Sudabeh Mortezai. The plot revolves around Joy (Anwulika Alphonsus), a young Nigerian woman who walks the streets to pay off debts while also supporting her family in Nigeria and her daughter in Vienna.

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  • Joy (2018) (de)
  • Joy (2018 film) (en)
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  • Joy ist ein österreichischer Spielfilm von Sudabeh Mortezai aus dem Jahr 2018. Premiere war am 30. August 2018 im Rahmen der 75. Filmfestspiele von Venedig, wo der Film in die Sektion Giornate degli Autori eingeladen wurde. Die Österreich-Premiere erfolgte auf der Viennale 2018, am 18. Jänner 2019 kam der Film in die österreichischen Kinos. Im ORF wurde der Film am 4. Juli 2021 erstmals ausgestrahlt. (de)
  • Joy is a 2018 Austrian drama film directed and written by Sudabeh Mortezai. The plot revolves around Joy (Anwulika Alphonsus), a young Nigerian woman who walks the streets to pay off debts while also supporting her family in Nigeria and her daughter in Vienna. (en)
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  • Joy (en)
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  • Joy (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Österreichischer_Filmpreis_2020_Preisträger_Joy_Alphonsus_2.jpg
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  • Austria (en)
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  • Sudabeh Mortezai (en)
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  • Joy ist ein österreichischer Spielfilm von Sudabeh Mortezai aus dem Jahr 2018. Premiere war am 30. August 2018 im Rahmen der 75. Filmfestspiele von Venedig, wo der Film in die Sektion Giornate degli Autori eingeladen wurde. Die Österreich-Premiere erfolgte auf der Viennale 2018, am 18. Jänner 2019 kam der Film in die österreichischen Kinos. Im ORF wurde der Film am 4. Juli 2021 erstmals ausgestrahlt. (de)
  • Joy is a 2018 Austrian drama film directed and written by Sudabeh Mortezai. The plot revolves around Joy (Anwulika Alphonsus), a young Nigerian woman who walks the streets to pay off debts while also supporting her family in Nigeria and her daughter in Vienna. It was selected as the Austrian entry for the Best International Feature Film at the 92nd Academy Awards. However, the film was disqualified in November 2019, with the Academy stating that the film had too much dialogue in English. The filmmakers disputed the disqualification, arguing that when the parts of the dialogue in Nigerian Pidgin that are unintelligible to English speakers are counted separately from English, English constitutes less than 50% of the entire dialogue and thus the film should be eligible, but the Academy stood by its initial decision. (en)
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