Judith with the head of Holofernes is a 1610–1615 painting by the painter Carlo Saraceni, now held in the Kunsthistorisches Museum in Vienna. The painting is typical of Saraceni's first decade in Rome where he became influenced by Caravaggio. His use of candlelight is illustrative of the chiaroscuro used by the tenebrists in this period. Another autograph copy is known in the Dayton Art Institute.
* 1673 engraving from Teniers' catalog, by Jan van Troyen
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* Gallery of Archduke Leopold Wilhelm in Brussels (Schleissheim), 1640
* Gallery of Archduke Leopold Wilhelm (Brussels), 1651
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| - Judit amb el cap d'Holofernes (Saraceni) (ca)
- Judith with the Head of Holofernes (Saraceni) (en)
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| - Judit amb el cap d'Holofernes és un oli sobre tela de 98 × 79,8 cm realitzat per cap al 1615, el qual es troba a la de Florència. (ca)
- Judith with the head of Holofernes is a 1610–1615 painting by the painter Carlo Saraceni, now held in the Kunsthistorisches Museum in Vienna. The painting is typical of Saraceni's first decade in Rome where he became influenced by Caravaggio. His use of candlelight is illustrative of the chiaroscuro used by the tenebrists in this period. Another autograph copy is known in the Dayton Art Institute.
* 1673 engraving from Teniers' catalog, by Jan van Troyen
*
* Gallery of Archduke Leopold Wilhelm in Brussels (Schleissheim), 1640
* Gallery of Archduke Leopold Wilhelm (Brussels), 1651
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* (en)
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| - Judit amb el cap d'Holofernes és un oli sobre tela de 98 × 79,8 cm realitzat per cap al 1615, el qual es troba a la de Florència. (ca)
- Judith with the head of Holofernes is a 1610–1615 painting by the painter Carlo Saraceni, now held in the Kunsthistorisches Museum in Vienna. The painting is typical of Saraceni's first decade in Rome where he became influenced by Caravaggio. His use of candlelight is illustrative of the chiaroscuro used by the tenebrists in this period. Another autograph copy is known in the Dayton Art Institute. This painting was documented in David Teniers the Younger's catalog Theatrum Pictorium of the art collection of Archduke Leopold Wilhelm in 1659 and again in 1673, but the portrait had already enjoyed notoriety in Teniers' portrayals of the Archduke's art collection:
* 1673 engraving from Teniers' catalog, by Jan van Troyen
*
* Gallery of Archduke Leopold Wilhelm in Brussels (Schleissheim), 1640
* Gallery of Archduke Leopold Wilhelm (Brussels), 1651
* Gallery of Archduke Leopold Wilhelm in Brussels (Petworth), 1651
* Gallery of Archduke Leopold Wilhelm in Brussels (Galdiano), 1651
* c.1651
* Gallery of Archduke Leopold Wilhelm in Brussels (Rothschild), 1653 (en)
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