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L'Esclusa (Italian pronunciation: [leˈskluːza]) (literally, "the excluded woman," but most often translated as The Outcast) was Luigi Pirandello's first novel. Written in 1893 with the title Marta Ajala, it was originally published in episodes in the Roman newspaper La Tribuna from June 29 to August 16, 1901, with the definitive title L'Esclusa. It was finally republished in single volume in 1908 in Milan by the Fratelli Treves. In this edition, a letter dedicated to Luigi Capuana was also published in which the author expressed his concerns that the "humoristic foundation" of the novel might have escaped those who had read the newspaper version. He also points out that "every will is excluded, even though the characters are left with the full illusion that they are acting voluntarily." He

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  • L'Esclusa (en)
  • L'esclusa (it)
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  • L'Esclusa (Italian pronunciation: [leˈskluːza]) (literally, "the excluded woman," but most often translated as The Outcast) was Luigi Pirandello's first novel. Written in 1893 with the title Marta Ajala, it was originally published in episodes in the Roman newspaper La Tribuna from June 29 to August 16, 1901, with the definitive title L'Esclusa. It was finally republished in single volume in 1908 in Milan by the Fratelli Treves. In this edition, a letter dedicated to Luigi Capuana was also published in which the author expressed his concerns that the "humoristic foundation" of the novel might have escaped those who had read the newspaper version. He also points out that "every will is excluded, even though the characters are left with the full illusion that they are acting voluntarily." He (en)
  • L'esclusa è un romanzo di Luigi Pirandello, il cui titolo originario era Marta Ajala. Finito di scrivere nel 1893, fu pubblicato a puntate nel 1901 sulla rivista La Tribuna e, nel 1908, in volume. Pirandello lavora sullo sfondo tipico della letteratura del Verismo, ricca di dinamiche sociali ben descritte nei loro pregiudizi e nelle loro sanzioni; a questo, l'autore aggiunge una vicenda che rimanda ai paradossi del dramma esistenziale, del contrasto tra sostanza e apparenza. (it)
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  • L'Esclusa (en)
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  • L'Esclusa (en)
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  • Newton Compton
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  • Italy (en)
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  • Novel (en)
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  • Italian (en)
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  • L'Esclusa (Italian pronunciation: [leˈskluːza]) (literally, "the excluded woman," but most often translated as The Outcast) was Luigi Pirandello's first novel. Written in 1893 with the title Marta Ajala, it was originally published in episodes in the Roman newspaper La Tribuna from June 29 to August 16, 1901, with the definitive title L'Esclusa. It was finally republished in single volume in 1908 in Milan by the Fratelli Treves. In this edition, a letter dedicated to Luigi Capuana was also published in which the author expressed his concerns that the "humoristic foundation" of the novel might have escaped those who had read the newspaper version. He also points out that "every will is excluded, even though the characters are left with the full illusion that they are acting voluntarily." He added that "nature, without any apparent order, bristling with contradictions is often extremely remote from the work of art..." which almost always arbitrarily harmonizes and rationalizes reality. These were striking assertions which seemed decidedly remote from the realism that actually dominates the novel. But this would be his one of his final experiments with narrative realism (at least in the novel form) and, in it, he succeeds in demonstrating the genre's obvious limitations and insufficiency. (en)
  • L'esclusa è un romanzo di Luigi Pirandello, il cui titolo originario era Marta Ajala. Finito di scrivere nel 1893, fu pubblicato a puntate nel 1901 sulla rivista La Tribuna e, nel 1908, in volume. Pirandello lavora sullo sfondo tipico della letteratura del Verismo, ricca di dinamiche sociali ben descritte nei loro pregiudizi e nelle loro sanzioni; a questo, l'autore aggiunge una vicenda che rimanda ai paradossi del dramma esistenziale, del contrasto tra sostanza e apparenza. Dal romanzo emerge anche il relativismo conoscitivo, ovvero l'impossibilità, per ogni individuo, di avere una visione oggettiva della realtà; infatti, la donna è convinta che la scelta del marito di cacciarla di casa sia una scelta errata (perché, appunto, innocente), di contro il marito è fermamente certo che cacciare di casa la moglie adultera sia la cosa migliore (almeno in un primo momento, poi sarà afflitto dai sensi di colpa e tenterà di farla ritornare). È quindi evidente che entrambi i personaggi sono certi di possedere la verità, dimostrando l'inesistenza di una realtà oggettiva univoca e veritiera. Inoltre, il romanzo "gira" attorno ad un motto in latino: "NIHIL-MIHI-CONSCIO" (presente alla fine di quasi tutte le lettere dell'Alvignani), ispirato ad un'espressione presente nelle Epistole di Orazio, che letteralmente significa: «Non mi rimprovero di nulla, non ho rimorso di nulla». (it)
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