La Bulaqueña, literally "the woman from Bulacan" or "the Bulacan woman", also sometimes referred to as Una Bulaqueña ("a woman from Bulacan"), is the Spanish title of an 1895 painting by Filipino painter and revolutionary activist Juan Novicio Luna. Bulacan is a province in the Philippines in Luzon island and its residents are called Bulaqueños, also spelled as Bulakenyos (Bulakenyo for men and Bulakenya for women) in the Filipino language. It is a "serene portrait", of a Filipino woman wearing a María Clara gown, a traditional Filipino dress that is composed of four pieces, namely the camisa, the saya (long skirt), the pañuelo (neck cover), and the tapis (knee-length overskirt). The name of the dress is an eponym to María Clara, the mestiza heroine of Filipino hero José Rizal's novel Noli
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| - La Bulaqueña, literally "the woman from Bulacan" or "the Bulacan woman", also sometimes referred to as Una Bulaqueña ("a woman from Bulacan"), is the Spanish title of an 1895 painting by Filipino painter and revolutionary activist Juan Novicio Luna. Bulacan is a province in the Philippines in Luzon island and its residents are called Bulaqueños, also spelled as Bulakenyos (Bulakenyo for men and Bulakenya for women) in the Filipino language. It is a "serene portrait", of a Filipino woman wearing a María Clara gown, a traditional Filipino dress that is composed of four pieces, namely the camisa, the saya (long skirt), the pañuelo (neck cover), and the tapis (knee-length overskirt). The name of the dress is an eponym to María Clara, the mestiza heroine of Filipino hero José Rizal's novel Noli (en)
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| - La Bulaqueña, literally "the woman from Bulacan" or "the Bulacan woman", also sometimes referred to as Una Bulaqueña ("a woman from Bulacan"), is the Spanish title of an 1895 painting by Filipino painter and revolutionary activist Juan Novicio Luna. Bulacan is a province in the Philippines in Luzon island and its residents are called Bulaqueños, also spelled as Bulakenyos (Bulakenyo for men and Bulakenya for women) in the Filipino language. It is a "serene portrait", of a Filipino woman wearing a María Clara gown, a traditional Filipino dress that is composed of four pieces, namely the camisa, the saya (long skirt), the pañuelo (neck cover), and the tapis (knee-length overskirt). The name of the dress is an eponym to María Clara, the mestiza heroine of Filipino hero José Rizal's novel Noli Me Tangere. The woman's clothing in the painting is the reason why the masterpiece is alternately referred to as María Clara. It is one of the few canvases done by Luna illustrating Filipino culture. The painting is displayed at the National Museum of Fine Arts. (en)
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