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In music from Western culture, a seventh is a musical interval encompassing seven staff positions (see Interval number for more details), and the major seventh is one of two commonly occurring sevenths. It is qualified as major because it is the larger of the two. The major seventh spans eleven semitones, its smaller counterpart being the minor seventh, spanning ten semitones. For example, the interval from C to B is a major seventh, as the note B lies eleven semitones above C, and there are seven staff positions from C to B. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve).

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rdf:type
rdfs:label
  • Settima maggiore (it)
  • Septième majeure (fr)
  • Major seventh (en)
  • 長七度 (ja)
  • 大七度 (zh)
rdfs:comment
  • En musique, une septième majeure est un intervalle de cinq tons et demi (onze demi-tons). Dans un tempérament égal à douze demi-tons (gamme tempérée), la septième majeure est l'équivalent enharmonique de l'octave diminuée. (fr)
  • L'intervallo di settima maggiore è l'intervallo esistente tra due note distanti fra loro 11 semitoni, cioè 5 toni e mezzo. Per esempio, la settima maggiore di Do è Si. Il bicordo di due note distanti tra loro una settima maggiore è dissonante. La settima maggiore della fondamentale è utilizzata negli accordi di settima maggiore. In una scala la settima maggiore della tonica è detta Sensibile e ha un forte moto di risoluzione sulla tonica. (it)
  • In music from Western culture, a seventh is a musical interval encompassing seven staff positions (see Interval number for more details), and the major seventh is one of two commonly occurring sevenths. It is qualified as major because it is the larger of the two. The major seventh spans eleven semitones, its smaller counterpart being the minor seventh, spanning ten semitones. For example, the interval from C to B is a major seventh, as the note B lies eleven semitones above C, and there are seven staff positions from C to B. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve). (en)
  • 大七度(major seventh)在西方文化的古典音樂裏,七度是一個橫跨七個五線譜位置(參見音程#音級)的音程。而大七度是兩個常見七度之一。它被稱為大的七度的原因是它是那兩個七度中較大的。大七度橫跨十一個半音,它對應較小的音程是小七度(橫跨十個半音)。例如:從C音到B音的音程是大七度,因為B音在C音的十一個半音之上,而且從C音到B音共有七個五線譜位置。和也是橫跨七個五線譜位置,但減七度橫跨九個半音,增七度橫跨十二個半音。 最容易找出大七度不是從主音開始,而是從八度開始,而且應先唱八度的音。最普遍的以「主音->八度->大七度」開頭的歌為(Somewhere) Over the Rainbow。「很少作曲家會以大七度作開頭編寫旋律,所以只有很少這樣的例子。」 大七度常建於三和弦上,產生的和弦稱為大七和弦或大調-大七度和弦:包含在大調的I7和弦和IV7和弦。「大七和弦會為一首樂曲加添爵士氣氛。單獨的大七度音程非常刺耳。」 在純律裏,大七度的音高比例通常是15:8();在十二平均律中,大七度是十一個半音(1100音分),比純律的大七度宽12音分。在二十四平均律中,大七度(或稱半增七度或半減八度)是二十三個四分一音(1150音分)。小大七度是9:5,現在是純律小七度。半減八度的比例是35:18(1151.23音分)。15:8純律大七度可在C大調找到,在C音與B音之間和F音與E音之間。 (zh)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Bach_Gavotte_from_Partita_3_for_Violin.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Major_seventh_on_C.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Mussorgsky_the_hut_on_fowl's_legs.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Pythagorean_major_seventh_on_C.png
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sameAs
semitones
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abbreviation
  • M7 (en)
description
  • The file plays middle C, followed by B , followed by both tones together. (en)
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