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Manṣūr Zalzal al-Ḍārib (منصور زلزل; died after 842 CE) or simply Zalzal, was an Iranian musician during the early Abbasid period. The renowned musician Ishaq al-Mawsili was his student; he declared Zalzal to be the most outstanding lutenist of his time.

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  • Zalzal Mansour (fr)
  • Mansour Zalzal (en)
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  • Manṣūr Zalzal al-Ḍārib (منصور زلزل; died after 842 CE) or simply Zalzal, was an Iranian musician during the early Abbasid period. The renowned musician Ishaq al-Mawsili was his student; he declared Zalzal to be the most outstanding lutenist of his time. (en)
  • Zalzal Mansour (arabe : زلزل منصور) (?-791), joueur de luth et musicien officiel à la cour abbasside. D'origine servile, peut-être nabatéen, il apprend la musique arabe auprès d'Ibrahim al-Mawsili, dont il deviendra le beau-frère. Sa virtuosité au luth, devenue proverbiale dans la littérature arabe classique, lui vaut d'être surnommé "l'instrumentiste" (al-Ḍārib), terme désignant ordinairement le musicien qui accompagne le chanteur. On attribue également à Zalzal l'invention d'un nouveau type de luth, dit "oud al-shabbout". (fr)
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  • Manṣūr Zalzal al-Ḍārib (منصور زلزل; died after 842 CE) or simply Zalzal, was an Iranian musician during the early Abbasid period. The renowned musician Ishaq al-Mawsili was his student; he declared Zalzal to be the most outstanding lutenist of his time. He contributed musical scales that were later named after him (the Mansouri scale, Arabic, المقياس المنصوري) and introduced positions (intervals) within scales on the fretboard of an oud (neutral 3rd frets, between major 3rd frets and minor third frets), called wasati-zalzal. Mansour is credited by the Encyclopedia of Islam with making improvements on the design of the barbat lute, which was then called the ūd shabbūt. (en)
  • Zalzal Mansour (arabe : زلزل منصور) (?-791), joueur de luth et musicien officiel à la cour abbasside. D'origine servile, peut-être nabatéen, il apprend la musique arabe auprès d'Ibrahim al-Mawsili, dont il deviendra le beau-frère. Sa virtuosité au luth, devenue proverbiale dans la littérature arabe classique, lui vaut d'être surnommé "l'instrumentiste" (al-Ḍārib), terme désignant ordinairement le musicien qui accompagne le chanteur. Zalzal joua un rôle important dans le développement de la musique arabe en introduisant notamment la tierce neutre, appelée "tierce de Zalzal" par les musicologues arabes médiévaux. Son élève et neveu, Ishaq al-Mawsili, mettra à profit cette innovation dans son système de codification de la musique arabe savante. On attribue également à Zalzal l'invention d'un nouveau type de luth, dit "oud al-shabbout". Le calife Haroun al-Rashid le fit emprisonner une dizaine d'années pour une raison inconnue. Il le libéra peu avant sa mort, à la demande d'Ibrahim al-Mawsili. (fr)
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