Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by jazz musician Julian "Cannonball" Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021. The title track became a surprise hit, reaching #11 on the Billboard Hot 100. The album reached #13 on the Top LPs chart. On this album, Joe Zawinul played a Wurlitzer electric piano; however, subsequent live performances saw him taking up the new and mellower-sounding Fender Rhodes instrument.
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| - Mercy, Mercy, Mercy! (fr)
- Mercy, Mercy, Mercy! Live at the Club (it)
- マーシー・マーシー・マーシー (アルバム) (ja)
- Mercy, Mercy, Mercy! Live at "The Club" (en)
- Mercy, Mercy, Mercy! Live at "The Club" (ru)
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| - Mercy, Mercy, Mercy! Live at 'The Club' est un album de jazz du saxophoniste Cannonball Adderley, enregistré en 1966 pour le label Capitol. La séance d'enregistrement se déroule dans un studio hollywoodien en présence d'un public et non dans un club à Chicago comme le laisse sous entendre le sous titre (Live at 'The Club'). Cannonball Adderley est accompagné par son frère Nat au cornet, Joe Zawinul au piano, Victor Gaskin à la contrebasse et Roy McCurdy à la batterie. Ce disque rencontre un grand succès à sa sortie et le morceau éponyme au style soul jazz devient un standard de jazz. (fr)
- 『マーシー・マーシー・マーシー』（原題：Mercy, Mercy, Mercy! Live at "The Club"）は、アメリカ合衆国のジャズ・サクソフォーン奏者、キャノンボール・アダレイが1966年に録音・1967年に発表したライブ・アルバム。ただし、録音は内で行われた。 (ja)
- Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by jazz musician Julian "Cannonball" Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021. The title track became a surprise hit, reaching #11 on the Billboard Hot 100. The album reached #13 on the Top LPs chart. On this album, Joe Zawinul played a Wurlitzer electric piano; however, subsequent live performances saw him taking up the new and mellower-sounding Fender Rhodes instrument. (en)
- Mercy, Mercy, Mercy! Live at the Club è un album live di Julian Cannonball Adderley, pubblicato dalla Capitol Records nel 1966. Le note del disco originale in vinile indicano che le registrazioni si svolsero dal vivo al "The Club" ("Club De Lisa") situato in State Street a Chicago in Illinois, la data di registrazione secondo quanto riportato dal catalogo cronologico delle sessions del sassofonista è indicata come luglio del 1966. Nel CD del 1995, pur avendo gli stessi brani (anche se in ordine numerico diverso) la recensione spiega che il titolo della copertina è una bufala voluta da Adderley per pubblicizzare un locale di un suo amico di Chicago (appunto il "The Club") ma, sempre secondo l'articolo la registrazione si sarebbe svolta a Los Angeles (California) negli studi della Capitol Re (it)
- Mercy, Mercy, Mercy! Live at "The Club" — альбом джазового музыканта Джулиана «Кэннонболла» Эддерли, записанный в 1966 году. Он был удостоен премии «Грэмми» за лучшее инструментальное джазовое исполнение (Группа или солист с группой) в 1967 году. Хотя в оригинальных заметках к альбому говорится, что альбом был записан в баре The Club в Чикаго, на самом деле он был записан на студии Capitol в Голливуде с приглашённой аудиторией и открытым баром. (ru)
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| - Mercy, Mercy, Mercy! Live at "The Club" (en)
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| - Mercy, Mercy, Mercy! Live at "The Club"
- Mercy, Mercy, Mercy! Live at "The Club"
- Mercy, Mercy, Mercy! Live at "The Club"
- Mercy, Mercy, Mercy! Live at "The Club"
- Mercy, Mercy, Mercy! Live at "The Club"
- Mercy, Mercy, Mercy! Live at "The Club"
- Mercy, Mercy, Mercy! Live at "The Club"
- Mercy, Mercy, Mercy! Live at "The Club"
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| - Allmusic (en)
- The Penguin Guide to Jazz (en)
- The Rolling Stone Jazz Record Guide (en)
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| - Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by jazz musician Julian "Cannonball" Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021. Though the original liner notes state that it was recorded at the Club DeLisa in Chicago, it was actually recorded at Capitol's Hollywood studio with an invited audience and an open bar. The reason for this discrepancy, according to the liner notes in the CD reissue, is that Adderley and the new manager of Club DeLisa (which had been renamed "The Club", after operating for years in Chicago under its old name) were friends, and Adderley offered to give the club a bit of free publicity. The title track became a surprise hit, reaching #11 on the Billboard Hot 100. The album reached #13 on the Top LPs chart. On this album, Joe Zawinul played a Wurlitzer electric piano; however, subsequent live performances saw him taking up the new and mellower-sounding Fender Rhodes instrument. The track "Hippodelphia" is sometimes mis-spelt "Hipadelphia" on other recordings. The track listing for the album uses "Hippodelphia", while the liner notes, written by E. Rodney Jones, for the same album refer to "Hipadelphia". (en)
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