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Michael Duffy (born 1957) is an Australian writer and former editor and publisher. He edited , a general magazine owned by Max Suich and John B Fairfax, from 1993 to 1996. Then he and his wife Alex Snellgrove set up a publishing company, Duffy & Snellgrove, that published the first books by Peter Robb, John Birmingham and Rosalie Ham. Other authors included Les Murray, Mungo MacCallum and John Olsen. The company stopped publishing new titles in 2005.

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  • ميخائيل دوفي (كاتب) (ar)
  • Michael Duffy (Australian journalist) (en)
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  • ميخائيل دوفي (بالإنجليزية: Michael Duffy)‏ هو كاتب أسترالي، ولد في 1957. (ar)
  • Michael Duffy (born 1957) is an Australian writer and former editor and publisher. He edited , a general magazine owned by Max Suich and John B Fairfax, from 1993 to 1996. Then he and his wife Alex Snellgrove set up a publishing company, Duffy & Snellgrove, that published the first books by Peter Robb, John Birmingham and Rosalie Ham. Other authors included Les Murray, Mungo MacCallum and John Olsen. The company stopped publishing new titles in 2005. (en)
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  • ميخائيل دوفي (بالإنجليزية: Michael Duffy)‏ هو كاتب أسترالي، ولد في 1957. (ar)
  • Michael Duffy (born 1957) is an Australian writer and former editor and publisher. He edited , a general magazine owned by Max Suich and John B Fairfax, from 1993 to 1996. Then he and his wife Alex Snellgrove set up a publishing company, Duffy & Snellgrove, that published the first books by Peter Robb, John Birmingham and Rosalie Ham. Other authors included Les Murray, Mungo MacCallum and John Olsen. The company stopped publishing new titles in 2005. Duffy presented ABC Radio National's Counterpoint with and wrote for News Limited publications and then the Sydney Morning Herald and the Sun Herald until June 2012. He has written the true crime books Call Me Cruel and Bad, but is best known for the novels The Tower, The Simple Death and Drive By. The latter was described in the Adelaide Review as: "a brilliant mix of reportage drawn from life observation and the novelist’s dramatic touch, to paint a portrait of crime and its effects – grief, confusion, loss, multiple levels of complicity – amongst Sydney’s contemporary Lebanese community." (en)
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