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The New York Etching Club, formally New York Etchers Club, was one of the earliest professional organization in America devoted to the medium of etching. Its founders were inspired by the Etching revival that had blossomed in France and England in the middle of the 19th century. The purpose of the club was to create and promote etchings that did not merely reproduce existing paintings, but were original creations of art in their own right.

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  • New York Etching Club (en)
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  • The New York Etching Club, formally New York Etchers Club, was one of the earliest professional organization in America devoted to the medium of etching. Its founders were inspired by the Etching revival that had blossomed in France and England in the middle of the 19th century. The purpose of the club was to create and promote etchings that did not merely reproduce existing paintings, but were original creations of art in their own right. (en)
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  • New York Etching Club (en)
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  • New York Etching Club (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Charles_Frederick_William_Mielatz,_Bit_of_Central_Park,_probably_1918,_NGA_32845.jpg
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  • Charles Frederick William Mielatz's etching Bit of Central Park, 1918. (en)
formation
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  • Robert Swain Gifford (en)
founding location
  • New York (en)
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  • New York (en)
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purpose
  • To promote interest in original etching through exhibitions, illustrated catalogues, sales and other forms of public outreach (en)
type
  • Professional organization (en)
has abstract
  • The New York Etching Club, formally New York Etchers Club, was one of the earliest professional organization in America devoted to the medium of etching. Its founders were inspired by the Etching revival that had blossomed in France and England in the middle of the 19th century. The purpose of the club was to create and promote etchings that did not merely reproduce existing paintings, but were original creations of art in their own right. (en)
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  • New York Etchers Club (en)
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  • New York Etchers Club (en)
founding date
purpose
  • To promote interest in original etching through exhibitions, illustrated catalogues, sales and other forms of public outreach
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