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O Ewigkeit, du Donnerwort (O eternity, you word of thunder), BWV 60, is a church cantata for the 24th Sunday after Trinity composed by Johann Sebastian Bach. It was first performed in Leipzig on 7 November 1723, and is part of Bach's first cantata cycle. It is one of Bach's dialogue cantatas: its topic, fear of death and hope of salvation, plays out mainly through a conversation between two allegorical figures, Fear (sung by an alto voice) and Hope (sung by a tenor).

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  • O Ewigkeit, du Donnerwort, BWV 60 (ca)
  • O Ewigkeit, du Donnerwort, BWV 60 (de)
  • O Ewigkeit, du Donnerwort, BWV 60 (es)
  • O Ewigkeit, du Donnerwort BWV 60 (it)
  • O Ewigkeit, du Donnerwort (BWV 60) (fr)
  • O Ewigkeit, du Donnerwort, BWV 60 (en)
  • O Ewigkeit, du Donnerwort (nl)
rdfs:comment
  • O Ewigkeit, du Donnerwort, BWV 60 (O Eternitat, paraula eixordadora), és una cantata religiosa de Johann Sebastian Bach per al vint-i-quatrè diumenge després de la Trinitat, estrenada a Leipzig, el 7 de novembre de 1723. (ca)
  • O Ewigkeit, du Donnerwort (BWV 60) ist eine Kirchenkantate von Johann Sebastian Bach. Er komponierte sie in Leipzig für den 24. Sonntag nach Trinitatis, den 7. November 1723. (de)
  • O Ewigkeit, du Donnerwort, BWV 60 (¡Oh eternidad, atronadora palabra!) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para el vigésimo cuarto domingo después de la Trinidad y estrenada el 7 de noviembre de 1723.​​​​ (es)
  • O Ewigkeit, du Donnerwort (1) (Ô éternité, toi, parole foudroyante !), (BWV 60), est une cantate religieuse de Johann Sebastian Bach composée à Leipzig en 1723. (fr)
  • O Ewigkeit, du Donnerwort (BWV 60) is een religieuze cantate van Johann Sebastian Bach. (nl)
  • O Ewigkeit, du Donnerwort (in tedesco, "Oh eternità, parola di tuono") BWV 60 è una cantata di Johann Sebastian Bach. (it)
  • O Ewigkeit, du Donnerwort (O eternity, you word of thunder), BWV 60, is a church cantata for the 24th Sunday after Trinity composed by Johann Sebastian Bach. It was first performed in Leipzig on 7 November 1723, and is part of Bach's first cantata cycle. It is one of Bach's dialogue cantatas: its topic, fear of death and hope of salvation, plays out mainly through a conversation between two allegorical figures, Fear (sung by an alto voice) and Hope (sung by a tenor). (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Bach_es_ist_genug_(DYK).png
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