Open music is music that is shareable, available in "source code" form, allows derivative works and is free of cost for non-commercial use. It is the concept of "open source" computer software applied to music. However, the non-commercial stipulation associated with Open Music is incompatible with the first section of the Open Source Definition as well as the first freedom put forth in The Free Software Definition (freedom 0). Open Music is one of the general responses to the RIAA's and governmental actions against the music industry and its consumers.
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| - Música copyleft (es)
- Open music (en)
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| - Desde hace algunos años y coincidiendo con el reconocimiento de Internet como nuevo medio de distribución de contenidos culturales, estamos asistiendo al nacimiento de nuevos modelos de protección de los derechos de autor, como son las licencias abiertas o copyleft, aquellas en las que el propio autor establece las limitaciones para la reproducción, distribución, difusión y copia de su obra, mediante un contrato propio o bien basado en los contratos pro-forma disponibles en sitios como Creative Commons o Coloriuris, por citar algunos. (es)
- Open music is music that is shareable, available in "source code" form, allows derivative works and is free of cost for non-commercial use. It is the concept of "open source" computer software applied to music. However, the non-commercial stipulation associated with Open Music is incompatible with the first section of the Open Source Definition as well as the first freedom put forth in The Free Software Definition (freedom 0). Open Music is one of the general responses to the RIAA's and governmental actions against the music industry and its consumers. (en)
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| - Desde hace algunos años y coincidiendo con el reconocimiento de Internet como nuevo medio de distribución de contenidos culturales, estamos asistiendo al nacimiento de nuevos modelos de protección de los derechos de autor, como son las licencias abiertas o copyleft, aquellas en las que el propio autor establece las limitaciones para la reproducción, distribución, difusión y copia de su obra, mediante un contrato propio o bien basado en los contratos pro-forma disponibles en sitios como Creative Commons o Coloriuris, por citar algunos. Se trata de la autoedición y la gestión autónoma que el creador intelectual hace de sus obras aprovechando el enorme potencial de difusión que tiene internet. Esto ha generado una nueva forma de entender la retribución a los autores por los derechos derivados de su obra y un nuevo modelo de negocio simbiótico que beneficia a todas las partes que intervienen en el mismo, tanto a las redes sociales que operan en Internet, como a los músicos y a los usuarios de la Red. Por un lado las denominadas redes sociales (tipo Youtube o Myspace por citar algunas) obtienen contenidos para sus plataformas en Internet de forma gratuita, los músicos disponen de un medio de marketing donde dar a conocer sus composiciones e interpretaciones llegando a millones de personas (solo myspace.com tiene100 millones de usuarios) y los usuarios acceden a la música de forma gratuita. (es)
- Open music is music that is shareable, available in "source code" form, allows derivative works and is free of cost for non-commercial use. It is the concept of "open source" computer software applied to music. However, the non-commercial stipulation associated with Open Music is incompatible with the first section of the Open Source Definition as well as the first freedom put forth in The Free Software Definition (freedom 0). Open Music is one of the general responses to the RIAA's and governmental actions against the music industry and its consumers. "Open music" can be considered a subset of "free music" (referring to freedom). The differences of philosophy between advocates of "open source software" and "free software" have not surfaced in the community of musicians contributing music to the copyleft commons. This may be due to the relatively recent emergence of copyleft music, as well as to the fact that software development generally involves much more collaboration and derivatization than does music production. It is not clear that open collaboration using copyleft licenses provides any significant advantages in music production, as open source advocates commonly argue is the case for software development. Several websites have surfaced to provide musicians with the platform and tools necessary for online music collaboration. Most of these sites promote one or more of the Creative Commons licenses, allowing derivative works and sharing of the finished songs. Early implementations of these collaboration sites relied on threaded discussion forum software and FTP to provide a means for musicians to initiate and discuss projects, and to share multi-track files. More recent and modern sites provide robust project-management features, automatic encoding and compression, online playback streaming, web-based upload and download options, chat, and project-based discussion forums. There are plenty of artists that use Creative Commons Licenses. One of the most open licences is "Creative Commons Attribution" License. (en)
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