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Otra Figuración was an art movement in Argentina founded by Jorge de la Vega, Ernesto Deira, Rómulo Macció, and Luis Felipe Noé in 1961. They advocated a return to figurative art when abstract and often geometric styles were prominent, and they worked in an expressive style with bold colors and sometimes mixed media. They not only shared these ideas, but they also shared a studio in Buenos Aires and exhibited together, gaining widespread recognition with an exhibition at the Museo Nacional de Bellas Artes in 1963. They ultimately disbanded in 1964.

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  • Otra Figuración (en)
  • Другая фигурация (ru)
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  • Otra Figuración was an art movement in Argentina founded by Jorge de la Vega, Ernesto Deira, Rómulo Macció, and Luis Felipe Noé in 1961. They advocated a return to figurative art when abstract and often geometric styles were prominent, and they worked in an expressive style with bold colors and sometimes mixed media. They not only shared these ideas, but they also shared a studio in Buenos Aires and exhibited together, gaining widespread recognition with an exhibition at the Museo Nacional de Bellas Artes in 1963. They ultimately disbanded in 1964. (en)
  • Другая фигурация (исп. Otra Figuración) — художественное течение зародившееся в начале 1960-х годов а Аргентине. Являлось южноамериканским ответвление распространившегося в Европе неофигуративного искусства. (ru)
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  • Otra Figuración was an art movement in Argentina founded by Jorge de la Vega, Ernesto Deira, Rómulo Macció, and Luis Felipe Noé in 1961. They advocated a return to figurative art when abstract and often geometric styles were prominent, and they worked in an expressive style with bold colors and sometimes mixed media. They not only shared these ideas, but they also shared a studio in Buenos Aires and exhibited together, gaining widespread recognition with an exhibition at the Museo Nacional de Bellas Artes in 1963. They ultimately disbanded in 1964. (en)
  • Другая фигурация (исп. Otra Figuración) — художественное течение зародившееся в начале 1960-х годов а Аргентине. Являлось южноамериканским ответвление распространившегося в Европе неофигуративного искусства. Представители направления выступали за возвращение к фигуративному искусству, в противовес популярным абстрактным и геометрическим стилям, и работали в выразительном стиле с использованием смелых цветов и иногда смешанной техники. Художники течения целенаправленно не объединялись в группу, заявив, что любое общее утверждение уменьшит свободу формы, которую они ищут, и каждый из них имеет свои художественные мотивы и исследует эту свободу выражения по-своему. (ru)
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