Mitsubishi's ProDigi was a professional audio, reel-to-reel, digital audio tape format with a stationary head position, similar to Sony's Digital Audio Stationary Head, which competed against ProDigi when the format was available in the mid-1980s through the early 1990s. Audio was digitally recorded linearly on the tape and is guarded by a powerful error correction scheme of cyclic redundancy checks to ensure integrity of the signal even if data is lost during playback. Prodigi recorders were available in 2-track variations, which used 1/4" tape; 32-track variations, which used 1" tape, and a 16-track version using 1/2" tape. All of the machines require the use of metal particle tape.
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| - El ProDigi es un formato multipista digital que utilizaron profusamente marcas como Mitsubishi, Otari y AEG desde finales de la década de 1980, hasta principios de este siglo XXI, cuando fue retirado del mercado. El ProDigi, en su funcionamiento básico, es similar a los , permitiendo tanto la edición física “a tijera” como la edición electrónica.El ProDigi es muy similar al DASH, la principal diferencia es que permite un número máximo de pistas inferior (32 pistas ProDigi, frente a 48 DASH). ProDigi puede elegir entre dos frecuencias de muestreo: El Prodigi utiliza un PCM lineal y ofrece: (es)
- Mitsubishi's ProDigi was a professional audio, reel-to-reel, digital audio tape format with a stationary head position, similar to Sony's Digital Audio Stationary Head, which competed against ProDigi when the format was available in the mid-1980s through the early 1990s. Audio was digitally recorded linearly on the tape and is guarded by a powerful error correction scheme of cyclic redundancy checks to ensure integrity of the signal even if data is lost during playback. Prodigi recorders were available in 2-track variations, which used 1/4" tape; 32-track variations, which used 1" tape, and a 16-track version using 1/2" tape. All of the machines require the use of metal particle tape. (en)
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| - El ProDigi es un formato multipista digital que utilizaron profusamente marcas como Mitsubishi, Otari y AEG desde finales de la década de 1980, hasta principios de este siglo XXI, cuando fue retirado del mercado. El ProDigi, en su funcionamiento básico, es similar a los , permitiendo tanto la edición física “a tijera” como la edición electrónica.El ProDigi es muy similar al DASH, la principal diferencia es que permite un número máximo de pistas inferior (32 pistas ProDigi, frente a 48 DASH). ProDigi puede elegir entre dos frecuencias de muestreo:
* 44100 muestras por segundo (estándar CD-Audio "Red Book").
* 48000 muestras por segundo. El Prodigi utiliza un PCM lineal y ofrece:
* Una resolución de 16 bits.
* Una respuesta en frecuencia de 20 – 20000 Hz
* Un rango dinámico de 90 dB. (es)
- Mitsubishi's ProDigi was a professional audio, reel-to-reel, digital audio tape format with a stationary head position, similar to Sony's Digital Audio Stationary Head, which competed against ProDigi when the format was available in the mid-1980s through the early 1990s. Audio was digitally recorded linearly on the tape and is guarded by a powerful error correction scheme of cyclic redundancy checks to ensure integrity of the signal even if data is lost during playback. Prodigi recorders were available in 2-track variations, which used 1/4" tape; 32-track variations, which used 1" tape, and a 16-track version using 1/2" tape. All of the machines require the use of metal particle tape. 2-track recorders:
* X-86
* X-86HS (capable of recording and playing back at 88.2 kHz and 96 kHz sample rates as well as the X-86's 44.1 kHz and 48 kHz)
* X-86C (for "compatible"; the X-86C could play back 50.4 kHz tapes made on the X-80 as well as normal X-86 tapes) 16-track recorder:
* X-400 32 track recorders:
* X-800
* X-850
* X-880
* DTR-900 (an X-850, rebadged for Otari). Mitsubishi and Otari collaborated on the design of the X-850 and X-880. The tape transport of both machines was derived from the Otari MTR90 Mk II, modified to handle 1" tape. Some mechanical parts were interchangeable between the X-850 and MTR90, the PC cards in the transport control section were manufactured by Otari and with two exceptions (the capstan servo and master CPU cards) were interchangeable between the Mitsubishi and Otari machines. The section of the X-850 service manual concerning transport adjustments was a verbatim reprint of the corresponding section of the MTR90 service manual. The ProDigi format was extremely popular for use in country music. Specifically, at studios in Nashville, Tennessee, where nearly all of the large recording studios used Prodigi machines. The format fell from favor by the mid-1990s with the popularity of Digidesign's Pro Tools hard drive-based multi-track recording, editing, and mixing system. (en)
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