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R. C. Hörsch (also R. C. Horsch or Raymond Charles Hoersch) (born 1943) is an American photographer, filmmaker, writer, sculptor and musician known for controversial work that blurs the distinction between art and pornography. He is also known for his sociopathic tendencies and sado-masochistic lifestyle. His fifty-year body of work is diverse and ranges from quietly poetic to explicit and disturbing. He is cited academically, along with Hans Bellmer and Robert Mapplethorpe, as an example of an artist whose transgressive work is, nevertheless, unequivocally art. Criticism of his work both praises his authenticity, sensitivity and masterful technique and condemns the exploitation of his subjects

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  • R. C. Hörsch (en)
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  • R. C. Hörsch (also R. C. Horsch or Raymond Charles Hoersch) (born 1943) is an American photographer, filmmaker, writer, sculptor and musician known for controversial work that blurs the distinction between art and pornography. He is also known for his sociopathic tendencies and sado-masochistic lifestyle. His fifty-year body of work is diverse and ranges from quietly poetic to explicit and disturbing. He is cited academically, along with Hans Bellmer and Robert Mapplethorpe, as an example of an artist whose transgressive work is, nevertheless, unequivocally art. Criticism of his work both praises his authenticity, sensitivity and masterful technique and condemns the exploitation of his subjects (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/202a_Mug_Shot_600x800_1999.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/R_C_Horsch_in_character_for_film_role,_2014.jpg
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  • R. C. Hörsch (also R. C. Horsch or Raymond Charles Hoersch) (born 1943) is an American photographer, filmmaker, writer, sculptor and musician known for controversial work that blurs the distinction between art and pornography. He is also known for his sociopathic tendencies and sado-masochistic lifestyle. His fifty-year body of work is diverse and ranges from quietly poetic to explicit and disturbing. He is cited academically, along with Hans Bellmer and Robert Mapplethorpe, as an example of an artist whose transgressive work is, nevertheless, unequivocally art. Criticism of his work both praises his authenticity, sensitivity and masterful technique and condemns the exploitation of his subjects (en)
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