Record of Music (Chinese: 樂記; pinyin: Yuè Jì) is the 19th chapter of the Book of Rites. It constitutes the grounds for reconstruction of the lost Classic of Music 樂經. The authorship of the Yueji is a matter of debate. The Book of Sui ascribes it to , a second-generation disciple of Confucius, and this view was common during the Tang dynasty. However, the present version includes reference to Marquis Wen of Wei and Zi Xia's meeting which could not have occurred during Gongsun Nizi's life. Qiu Qiongsun claims another Gongsun Ni lived during the Han dynasty, authored the book, and it was later erroneously ascribed to the better-known Confucian disciple.
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| - Record of Music (en)
- 乐记 (zh)
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| - 《乐记》是中国古代著名的美学著作。收于《礼记》49篇中。在《史记》中也有收录，名为《乐书》。均为十一篇，但篇章顺序不同。关于《乐记》的作者问题始终有两大基本说法：郭沫若的“子”说，蔡仲德的“刘德”说。目前学术界仍无定论，但多倾向于蔡仲德说。 漢書《藝文志》載：「武帝時，河間獻王好儒，與毛生等共采周官及諸子言樂事者，以作樂記，獻八佾之舞，與制氏不相遠。」 《礼记》中题作《乐记第十九》，约5000余字包括十一子篇：《乐本篇》、《乐论篇》、《乐礼篇》、《乐施篇》、《乐言篇》、《乐象篇》、《乐情篇》、《魏文侯篇》、《宾牟贾篇》、《乐化篇》、《师乙篇》。然而据西汉刘向之意古代《乐记》應共23篇，这23篇除上述11篇之外，还包括《奏乐篇》、《乐器篇》、《乐作篇》、《意始篇》、《乐穆篇》、《说律篇》、《季札篇》、《乐道篇》、《乐义篇》、《昭本篇》、《招颂篇》、《窦公篇》等遺失的12篇。 乐记认为，音乐是通过声音来表现情的，情来自人对现实生活的反映外界事物的变化使人的感情产生各种变化，音乐则是这种感情变化的表露："凡音之起，由人心生也。人心之动，物使之然也。感于物而动，故形于声。""乐者，音之所由生也，其本在人心感于物也。 (zh)
- Record of Music (Chinese: 樂記; pinyin: Yuè Jì) is the 19th chapter of the Book of Rites. It constitutes the grounds for reconstruction of the lost Classic of Music 樂經. The authorship of the Yueji is a matter of debate. The Book of Sui ascribes it to , a second-generation disciple of Confucius, and this view was common during the Tang dynasty. However, the present version includes reference to Marquis Wen of Wei and Zi Xia's meeting which could not have occurred during Gongsun Nizi's life. Qiu Qiongsun claims another Gongsun Ni lived during the Han dynasty, authored the book, and it was later erroneously ascribed to the better-known Confucian disciple. (en)
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| - Record of Music (Chinese: 樂記; pinyin: Yuè Jì) is the 19th chapter of the Book of Rites. It constitutes the grounds for reconstruction of the lost Classic of Music 樂經. The authorship of the Yueji is a matter of debate. The Book of Sui ascribes it to , a second-generation disciple of Confucius, and this view was common during the Tang dynasty. However, the present version includes reference to Marquis Wen of Wei and Zi Xia's meeting which could not have occurred during Gongsun Nizi's life. Qiu Qiongsun claims another Gongsun Ni lived during the Han dynasty, authored the book, and it was later erroneously ascribed to the better-known Confucian disciple. The Yueji is mentioned in the "Yiwen zhi" chapter of the Book of Han, which was built on Liu Xin's Qilue. There, its authorship is ascribed to , a son of the Han emperor Jing, and his friends. The contents of Yueji are fully present in the Yueshu chapter of the Records of the Grand Historian, but, as argued by Martin Kern, this chapter is a later addition to Sima Qian's work, probably dating by the Eastern Han period. According to Kern, this might bear on the dating of the Yue ji itself. Kong Yingda (574 – 648) records in his Liji Zhengyi that in his editorial work Liu Xiang came across another Yueji variant, much different from Liu De's. Unfortunately, of the 23 chapters known to Liu Xiang, only 11 are known. Scott Cook's research concludes on the Warring States authorship of Yue ji as the most probable. Material related to the Yueji can be found in Xunzi's "Yuelun", the Xici zhuan comment to the Yijing, the "Great Preface" to the Book of Songs, Lüshi Chunqiu, and other sources. (en)
- 《乐记》是中国古代著名的美学著作。收于《礼记》49篇中。在《史记》中也有收录，名为《乐书》。均为十一篇，但篇章顺序不同。关于《乐记》的作者问题始终有两大基本说法：郭沫若的“子”说，蔡仲德的“刘德”说。目前学术界仍无定论，但多倾向于蔡仲德说。 漢書《藝文志》載：「武帝時，河間獻王好儒，與毛生等共采周官及諸子言樂事者，以作樂記，獻八佾之舞，與制氏不相遠。」 《礼记》中题作《乐记第十九》，约5000余字包括十一子篇：《乐本篇》、《乐论篇》、《乐礼篇》、《乐施篇》、《乐言篇》、《乐象篇》、《乐情篇》、《魏文侯篇》、《宾牟贾篇》、《乐化篇》、《师乙篇》。然而据西汉刘向之意古代《乐记》應共23篇，这23篇除上述11篇之外，还包括《奏乐篇》、《乐器篇》、《乐作篇》、《意始篇》、《乐穆篇》、《说律篇》、《季札篇》、《乐道篇》、《乐义篇》、《昭本篇》、《招颂篇》、《窦公篇》等遺失的12篇。 乐记认为，音乐是通过声音来表现情的，情来自人对现实生活的反映外界事物的变化使人的感情产生各种变化，音乐则是这种感情变化的表露："凡音之起，由人心生也。人心之动，物使之然也。感于物而动，故形于声。""乐者，音之所由生也，其本在人心感于物也。 (zh)
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