About: Saint Francis Receiving the Stigmata (van Eyck)

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Saint Francis of Assisi Receiving the Stigmata is the name given to two unsigned paintings completed around 1428–1432 that art historians usually attribute to the Flemish artist Jan van Eyck. The panels are nearly identical, apart from a considerable difference in size. Both are small paintings: the larger measures 29.3 cm x 33.4 cm and is in the Sabauda Gallery in Turin, Italy; the smaller panel is 12.7 cm x 14.6 cm and in the Philadelphia Museum of Art. The earliest documentary evidence is in the 1470 inventory of Anselm Adornes of Bruges's will; he may have owned both panels.

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rdfs:label	Estigmatització de Sant Francesc (ca) San Francisco recibiendo los estigmas (es) Saint François recevant les stigmates (van Eyck) (fr) Stigmate di san Francesco (Jan van Eyck) (it) Franciscus van Assisi ontvangt de stigmata (Van Eyck) (nl) Saint Francis Receiving the Stigmata (van Eyck) (en) 接受圣痕的圣弗朗西斯 (zh)
rdfs:comment	Il Stigmate di san Francesco è il nome di due dipinti pressoché identici del pittore fiammingo Jan van Eyck. Il più antico è considerato quello del Philadelphia Museum of Art, generalmente attribuito al periodo del soggiorno in Spagna (in particolare al 1428-1429) e misurante 12,5×14,5 cm; una seconda replica più grande (29,3x33,4 cm), con una cromia più armonizzata ai colori bruni, è conservato nella Galleria Sabauda di Torino, datato al 1432 (l'opera è stata esposta a Roma a Palazzo Venezia nell'ambito della mostra Il Potere e la Grazia). Le due opere sono identiche anche nei particolari minuti, per cui l'artista dovette servirsi di un medesimo disegno preparatorio. (it) Sint-Franciscus ontvangt de stigmata is een schilderij toegeschreven aan Jan van Eyck dat bestaat in twee versies. Het zijn niet-gesigneerde en niet-gedateerde werken in olieverf. Beide composities zijn nagenoeg identiek, maar verschillend in grootte. Het kleinere, waarvan de creatie wordt gesitueerd in 1430-1432, is geschilderd op perkament en bevindt zich in het Philadelphia Museum of Art. Het grotere paneel, te zien in de Galleria Sabauda van Turijn, zou ook gemaakt zijn door Van Eyck of mogelijk een navolger. (nl) L'Estigmatització de Sant Francesc és el nom de dues pintures sense signar realitzades al voltant de 1428–1432 que els historiadors de l'art atribueixen a l'artista flamenc, Jan van Eyck. Les taules són gairebé idèntiques, a part d'una diferència considerable en la mida. Totes dues són taules petites: la més gran és de 29,3 cm x 33,4 cm i està a la Galeria Sabauda de Torí, Itàlia; la taula més petit és de 12,7 × 14,6 cm i està al Museu de Filadèlfia d'Art. L'evidència documental més antiga és de l'inventari del testament d'Anselme Adornes de Bruges, de 1470; qui potser va posseir ambdues taules. En els segles XIX i XX, la majoria dels estudiosos van atribuir-les a un alumne o seguidor de l'obra de Van Eyck a partir d'un disseny pel mestre. (ca) Saint François recevant les stigmates (parfois Les Stigmates de saint François) est le nom donné à deux peintures non signées achevées vers 1428–32, ou peut-être plus tardivement encore, et que les historiens d'art attribuent généralement au peintre primitif flamand Jan van Eyck. Les deux compositions sont presque identiques, mais leur taille diffère considérablement : le plus grand panneau mesure 29,3 × 33,4 cm et est conservé à la galerie Sabauda de Turin en Italie, le plus petit mesure 12,7 × 14,6 cm et est conservé au Philadelphia Museum of Art. La plus ancienne preuve documentée de leur existence se trouve dans le testament du marchand brugeois d'origine génoise Anselm Adornes rédigé en 1470 avant son voyage à Jérusalem, au profit de ses deux filles ; les deux panneaux qu'il y mention (fr) San Francisco de Asís recibiendo los Estigmas es el nombre dado a dos pinturas de hacia 1428–32 que los historiadores del arte normalmente atribuyen al artista flamenco, Jan van Eyck. Las tablas son casi idénticas, aparte de una diferencia considerable de tamaño. Aun así, ambas son pinturas pequeñas: de 29.3 cm x 33.4 cm la que se conserva en la Galería Sabauda de Turín, Italia; y con 12.7 cm x 14.6 cm la del Museo de Arte de Filadelfia. La evidencia documental más temprana se encuentra en un inventario de 1470 de bienes legados por Anselmo Adorno de Brujas; podría haber poseído ambos paneles. Durante el siglo XIX y hasta mediados del XX, la mayoría de los académicos los atribuyeron a un alumno o seguidor de van Eyck a partir de un diseño del maestro. (es) Saint Francis of Assisi Receiving the Stigmata is the name given to two unsigned paintings completed around 1428–1432 that art historians usually attribute to the Flemish artist Jan van Eyck. The panels are nearly identical, apart from a considerable difference in size. Both are small paintings: the larger measures 29.3 cm x 33.4 cm and is in the Sabauda Gallery in Turin, Italy; the smaller panel is 12.7 cm x 14.6 cm and in the Philadelphia Museum of Art. The earliest documentary evidence is in the 1470 inventory of Anselm Adornes of Bruges's will; he may have owned both panels. (en) “接受圣痕的圣弗朗西斯（或亚西西的圣方济各）”同时指代两幅创作于1428至1432年间的无名画。艺术史学家一般将这两幅画归于弗兰德画家，扬·范·艾克之手。虽然尺寸有所不同，这两幅板面油画几乎完全相同。两幅画尺寸都不大，大幅作品约莫29.3厘米乘33.4厘米，现藏于意大利都灵市的薩包達美術館，小幅作品尺寸为12.7厘米乘14.6厘米，现藏于美国宾夕法尼亚州的费城艺术博物馆。在1470年记录的Anselme Adornes（ 1424－1483，布吕赫商人）的遗嘱中可以找到最早的相关文献记载。据记载，他有可能曾经拥有这两幅画。自19世纪至20世纪中，大多数学者倾向于将这两幅画看作是扬·范·艾克的学徒或追随者根据扬·范·艾克的底稿设计绘成的。画作展示了亚西西的圣方济各（Saint Francis of Assisi）一生中最著名的事件：双膝跪于石头边，于他自己的手掌与脚掌上接受钉于十字架上耶稣基督的圣痕。圣方济各身后是细节具备的岩石和风景，似乎将圣方济置于次要地位。而此种对圣方济的画面处理是第一次在北方文艺复兴艺术中出现。学者大多根据风格和质量确定此画是扬·范·艾克的手笔。另外，在西班牙马德里的普拉多博物馆还有一幅类似油画，但其明暗对比及整体设计都相较前两者逊色许多。 (zh)
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dcterms:subject	Paintings in the Galleria Sabauda 15th-century paintings Paintings in the collection of the Philadelphia Museum of Art Paintings of Francis of Assisi Portraits by Jan van Eyck Paintings depicting the Crucifixion of Jesus Angels in art
Wikipage page ID	44338010 (xsd:integer)
Wikipage revision ID	1093503937 (xsd:integer)
Link from a Wikipage to another Wikipage	Province of Alessandria Pyrenees Roger Fry Sandro Botticelli Sapwood (wood) Elisabeth Dhanens Stereo microscope Raking light Bivalvia Brachiopod Animal glue Annunciation (van Eyck, Washington) Anselm Adornes Paintings in the Galleria Sabauda Hubert van Eyck Republic of Florence Vermilion Early Netherlandish painting Infrared James Snyder (art historian) Limestone Northern Renaissance Portrait of Isabella of Portugal (van Eyck) 15th-century paintings Paintings in the collection of the Philadelphia Museum of Art Paintings of Francis of Assisi Conservation and restoration of cultural heritage Sabauda Gallery Oil painting Portrait of Baudouin de Lannoy Church of the Holy Sepulchre Ghent Giotto Giovanni Bellini Mosque of Omar (Jerusalem) Museo del Prado Confraternity Crucifixion and Last Judgement diptych The Three Marys at the Tomb Thomas of Celano La Verna Apennines Portraits by Jan van Eyck Lisbon Louvre Stigmata Dendrochronology Igneous rock Franciscan Panel painting Pastiche Madonna of Chancellor Rolin Madonna of the Dry Tree Stratum Master of Hoogstraeten Bruges Turin Turin-Milan Hours White lead William à Court, 1st Baron Heytesbury Joachim Patinir John G. Johnson

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