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Scot D. Ryersson (September 10, 1960 in Suffern, New York) is an illustrator, graphic artist and writer. In addition to many critiques and essays on film and literature, he is the co-author of the biography Infinite Variety: The Life and Legend of the Marchesa Casati, as well as The Marchesa Casati: Portraits of a Muse.

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  • Scot D. Ryersson (en)
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  • Scot D. Ryersson (September 10, 1960 in Suffern, New York) is an illustrator, graphic artist and writer. In addition to many critiques and essays on film and literature, he is the co-author of the biography Infinite Variety: The Life and Legend of the Marchesa Casati, as well as The Marchesa Casati: Portraits of a Muse. (en)
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  • Scot D. Ryersson (September 10, 1960 in Suffern, New York) is an illustrator, graphic artist and writer. In addition to many critiques and essays on film and literature, he is the co-author of the biography Infinite Variety: The Life and Legend of the Marchesa Casati, as well as The Marchesa Casati: Portraits of a Muse. Ryersson is Co-Director of The Casati Archives, devoted to preserving the artistic and cultural legacy of Luisa Casati. It was founded by Ryersson and Michael Orlando Yaccarino in 1999 upon the original publication of Infinite Variety. In addition to original materials, books and ephemera, this library contains artwork reproductions and photographs of and inspired by Marchesa Casati. Trained at London’s Chelsea School of Art and Design, for many years Ryersson was a motion picture poster designer in the United States, Canada and Europe. Credits include advertising campaigns for The Silence of the Lambs (1991), Ghost (1990) and Witness (1985), The Changeling (1980), Children of the Corn (1984), Working Girl (1988), She Devil (1989), Pet Sematary (1989) and Presumed Innocent (1990). Ryersson was presented with two Art Directors of London Awards for his poster designs for the British films Evil Under the Sun (1982) and Another Country (1984). The concept poster design for The Silence of the Lambs was voted fifth place of the "Fifty Greatest Film Posters of All Time" by Britain's Empire magazine, while earning sixteenth place for the same accolade by the US publication Premiere in their August 2001 issue. (en)
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