Simone Pignoni (April 17, 1611 – December 16, 1698) was an Italian painter of the Baroque period. He apprenticed with Fabrizio Boschi, then with the more academic and puritanical Domenico Passignano, and finally with Francesco Furini. He is best known for painting in a style reminiscent of the morbidly sensual Furini. Reflective of this obsession is his self-portrait, c. 1650, in which he depicts himself building up a plump naked female from a skeleton. The biographer Baldinucci, in what little he notes of the painter, recalls him as the scandalous "imitator of (Furini's) licentious inventions".
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| - Simone Pignoni (de)
- Simone Pignoni (es)
- Simone Pignoni (it)
- Simone Pignoni (fr)
- Simone Pignoni (en)
- Сімоне Піньйоні (uk)
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| - Simone Pignoni (Florencia, 17 de abril de 1611 - Florencia, 16 de diciembre de 1698). Pintor italiano activo durante la fase del Barroco tardío. Es conocido por sus pinturas con voluptuosas figuras femeninas, en la misma línea que las que realizara Francesco Furini unas décadas antes. (es)
- Simone Pignoni (Florence, 17 avril 1611 - 16 décembre 1698 ) est un peintre italien de la période baroque. (fr)
- Simone Pignoni (Firenze, 17 aprile 1611 – 16 dicembre 1698) è stato un pittore e scultore italiano. Madonna con il Bambino e i Santi Rocco e Lucia (it)
- Сімо́не Піньйо́ні (італ. Simone Pignoni; нар. 17 травня 1611, Флоренція — пом. 16 грудня 1698, Флоренція) — італійський художник епохи бароко. (uk)
- Simone Pignoni (* 17. April 1611; † 16. Dezember 1698) war ein italienischer Maler des Barock. Pignoni besuchte zunächst die Lateinschule um dann, auf Wunsch seines Vaters, in der Buchbinderwerkstatt eines Verwandten zu arbeiten, wo er sein Vergnügen in der Wappenmalerei fand.Domenico Passignano, der öfters in der Buchbinderei erschien, bemerkte das Talent des Knaben. Auf seine Empfehlung hin begann er eine Malerlehre bei , wo er aber nicht blieb, sondern zu dem eher akademischen Passignano wechselte. Für seinen Stil wesentlich wurde aber sein letzter Lehrherr Francesco Furini. (de)
- Simone Pignoni (April 17, 1611 – December 16, 1698) was an Italian painter of the Baroque period. He apprenticed with Fabrizio Boschi, then with the more academic and puritanical Domenico Passignano, and finally with Francesco Furini. He is best known for painting in a style reminiscent of the morbidly sensual Furini. Reflective of this obsession is his self-portrait, c. 1650, in which he depicts himself building up a plump naked female from a skeleton. The biographer Baldinucci, in what little he notes of the painter, recalls him as the scandalous "imitator of (Furini's) licentious inventions". (en)
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| - Simone Pignoni (* 17. April 1611; † 16. Dezember 1698) war ein italienischer Maler des Barock. Pignoni besuchte zunächst die Lateinschule um dann, auf Wunsch seines Vaters, in der Buchbinderwerkstatt eines Verwandten zu arbeiten, wo er sein Vergnügen in der Wappenmalerei fand.Domenico Passignano, der öfters in der Buchbinderei erschien, bemerkte das Talent des Knaben. Auf seine Empfehlung hin begann er eine Malerlehre bei , wo er aber nicht blieb, sondern zu dem eher akademischen Passignano wechselte. Für seinen Stil wesentlich wurde aber sein letzter Lehrherr Francesco Furini. Seine Zeitgenossen kritisierten seine üppigen Damen und manierierten Sujets, insbesondere sein Selbstporträt, bei dem er ein Skelett auf der Leinwand mittels Pinsel mit Fleisch bekleidet. Auch die Ähnlichkeit des Stils mit Furini wurde bemerkt. Sein Biograph Francesco Gori bezeichnet ihn als „Nachahmer seiner [Furinis] liederlicher Einbildungskraft“. Auch sein Schüler verfasste eine Biographie. (de)
- Simone Pignoni (Florencia, 17 de abril de 1611 - Florencia, 16 de diciembre de 1698). Pintor italiano activo durante la fase del Barroco tardío. Es conocido por sus pinturas con voluptuosas figuras femeninas, en la misma línea que las que realizara Francesco Furini unas décadas antes. (es)
- Simone Pignoni (Florence, 17 avril 1611 - 16 décembre 1698 ) est un peintre italien de la période baroque. (fr)
- Simone Pignoni (April 17, 1611 – December 16, 1698) was an Italian painter of the Baroque period. He apprenticed with Fabrizio Boschi, then with the more academic and puritanical Domenico Passignano, and finally with Francesco Furini. He is best known for painting in a style reminiscent of the morbidly sensual Furini. Reflective of this obsession is his self-portrait, c. 1650, in which he depicts himself building up a plump naked female from a skeleton. The biographer Baldinucci, in what little he notes of the painter, recalls him as the scandalous "imitator of (Furini's) licentious inventions". A more complete biography was recorded by his pupil Giovanni Camillo Sagrestani. Described as endowed with a "bizarre and amenable intelligence", Pignoni apparently had a late-life conversion to more pious painting. There is one episode recalled that during a serious illness "because in his life he had focused on studying about female forms, and (now) having resigned himself to the impending infinity, his spiritual father urged him to purge those errors with the flame, and once guided by a good disposition, he suddenly was cured by the Lord." Baldinucci's biography of Furini also recorded a similar, near-death renunciation of his art of the naked figure. Among his more conventional works are a St. Agatha cured by St. Peter (attributed) in the Museo Civico di Trieste; a St. Louis providing a banquet for the poor (c. 1682) now in the church of Santa Felicita in Florence, commissioned by Conte Luigi ; and a Madonna and child in glory with archangels Saints Michael and Raphael in battle armor and San Antonio of Padua (1671) for the Cappella di San Michele in Santissima Annunziata. He painted an Allegory of Peace in Palazzo Vecchio. A Penitent Magdalen that has been attributed to Pignoni is found in the Pitti Palace. In San Bartolomeo in Monteoliveto, he painted a Madonna appearing to Blessed Bernardo Tolomeo. In addition to Sagrestani, another pupil was the priest of Cutigliano. (en)
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