The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba. Unlike baroque sonatas for solo instrument and continuo, where the realisation of the figured bass was left to the discretion of the performer, the keyboard part in the sonatas was almost entirely specified by Bach. They were probably mostly composed during Bach's final years in Cöthen between 1720 and 1723, before he moved to Leipzig. The extant sources for the collection span the whole of Bach's period in Leipzig, during which time he continued to make changes to the score.

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  • Sechs Sonaten für Violine und Cembalo, BWV 1014–1019 (de)
  • Zes sonates voor klavecimbel en viool (J.S. Bach) (nl)
  • Six Sonatas for Violin and Harpsichord, BWV 1014–1019 (en)
rdfs:comment
  • The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba. Unlike baroque sonatas for solo instrument and continuo, where the realisation of the figured bass was left to the discretion of the performer, the keyboard part in the sonatas was almost entirely specified by Bach. They were probably mostly composed during Bach's final years in Cöthen between 1720 and 1723, before he moved to Leipzig. The extant sources for the collection span the whole of Bach's period in Leipzig, during which time he continued to make changes to the score. (en)
  • Die Sechs Sonaten für Violine und Cembalo, BWV 1014–1019 sind sechs Triosonaten für Violine und obligates Cembalo von Johann Sebastian Bach. Sie entstanden während Bachs Aufenthalt in Köthen, zwischen 1717 und 1723. Dies sind die ersten Violinsonaten der Musikgeschichte, in denen das Tasteninstrument aus der Rolle der bloßen Begleitung im Generalbass heraustritt und zum gleichberechtigten Partner der Violine wird. (de)
  • De Zes sonates voor klavecimbel en viool (BWV 1014-1019) zijn door Johann Sebastian Bach waarschijnlijk in Köthen gecomponeerd. De sonates vormen een eenheid zoals gebruikelijk bij barokcomponisten: een serie van zes soortgelijke werken, verzameld in één bundel. Ook Bach volgde deze gewoonte, bijvoorbeeld bij de zes Brandenburgse Concerten, de zes sonates en partita's voor onbegeleide viool, de zes partita's uit de eerste Clavier-Übung, de zes cellosuites of de zes Schüblerkoralen. Bach werkte binnen dit soort verzamelingen de mogelijkheden voor een bepaalde muzikale combinatie of een bepaald instrument volledig uit. (nl)
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