Arnold Schoenberg's Suite for Piano (German: Suite für Klavier), Op. 25, is a 12-tone piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier 5 Stücke, Op. 23 (1920–23) employs a 12-tone row only in the final waltz movement, and the Serenade, Op. 24, uses a single row in its central Sonnet. The basic tone row of the suite consists of the following pitches: E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭. A typical performance of the entire suite takes around 16 minutes.
| Attributes | Values |
|---|
| rdf:type
| |
| rdfs:label
| - Suite (Schönberg) (fr)
- 피아노 모음곡 (쇤베르크) (ko)
- Suite for Piano (Schoenberg) (en)
- Сюита для фортепиано (Шёнберг) (ru)
- Сюїта для фортепіано (Шенберг) (uk)
|
| rdfs:comment
| - La Suite pour piano opus 25 est un cycle de cinq pièces pour piano d'Arnold Schönberg. Composé entre 1921 et juillet 1923, ce recueil constitue le premier opus intégralement dodécaphonique du compositeur. En hommage à Bach, Schönberg reprend le schéma formel de la suite instrumentale constituée de danses en nombre variable et écrit les quatre derniers mouvements en notation allemande. (fr)
- 《피아노 모음곡 작품번호 25》은 1921년에서 1923년 사이에 아르놀트 쇤베르크가 작곡한 피아노 모음곡이다. 이는 쇤베르크가 모든 악장에서 한 줄의 "서로만 관련된 12음"을 사용한 가장 이른 작품이다. 이 모음곡의 기본 음조는 E–F–G–D♭–G♭–E♭–A♭–D–B–C–A♭이다. (ko)
- Сюита для фортепиано (нем. Suite für Klavier), соч. 25 ― додекафоническая пьеса Арнольда Шёнберга, написанная между 1921 и 1923 годами. Основная серия сюиты состоит из следующих звуков: E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭. Впервые композиция была исполнена учеником Шёнберга Эдуардом Штейерманом в Вене 25 февраля 1924 года. В данной работе Шёнберг впервые применяет технику транспозиции и инверсии серии, а также ракоходной имитации. (ru)
- Сюїта для фортепіано, op. 25 (нім. Suite für Klavier) — додекафонічна композиція для фортепіано австрійського композитора Арнольда Шенберга. (uk)
- Arnold Schoenberg's Suite for Piano (German: Suite für Klavier), Op. 25, is a 12-tone piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier 5 Stücke, Op. 23 (1920–23) employs a 12-tone row only in the final waltz movement, and the Serenade, Op. 24, uses a single row in its central Sonnet. The basic tone row of the suite consists of the following pitches: E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭. A typical performance of the entire suite takes around 16 minutes. (en)
|
| foaf:depiction
| |
| dcterms:subject
| |
| Wikipage page ID
| |
| Wikipage revision ID
| |
| Link from a Wikipage to another Wikipage
| |
| Link from a Wikipage to an external page
| |
| reference
| - University of Southern California Libraries "Arnold Schoenberg Recordings: List of Works: Suite Op. 23 (1923/25)" . (en)
|
| sameAs
| |
| dbp:wikiPageUsesTemplate
| |
| thumbnail
| |
| has abstract
| - Arnold Schoenberg's Suite for Piano (German: Suite für Klavier), Op. 25, is a 12-tone piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier 5 Stücke, Op. 23 (1920–23) employs a 12-tone row only in the final waltz movement, and the Serenade, Op. 24, uses a single row in its central Sonnet. The basic tone row of the suite consists of the following pitches: E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭. In form and style, the work echoes many features of the Baroque suite. There are six movements: 1.
* Präludium (1921) 2.
* Gavotte (1923) 3.
* Musette (1923) 4.
* Intermezzo (1921–1923) 5.
* Menuett. Trio (1923) 6.
* Gigue (1923) A typical performance of the entire suite takes around 16 minutes. In this work, Schoenberg employs transpositions and inversions of the row for the first time: the sets employed are P-0, I-0, P-6, I-6 and their retrogrades. Arnold Whittall has suggested that "[t]he choice of transpositions at the sixth semitone—the tritone—may seem the consequence of a desire to hint at 'tonic-dominant' relationships, and the occurrence of the tritone G–D♭ in all four sets is a hierarchical feature which Schoenberg exploits in several places". The suite was first performed by Schoenberg's pupil Eduard Steuermann in Vienna on 25 February 1924. Steuermann made a commercial recording of the work in 1957. The first recording of the Suite for Piano to be released was made by Niels Viggo Bentzon some time before 1950. The Gavotte movement contains, "a parody of a baroque keyboard suite that involves the cryptogram of Bach's name as an important harmonic and melodic device and a related quotation of Schoenberg's Op. 19/vi. Edward T. Cone (1972) has catalogued what he believes to be a number of mistakes in Reinhold Brinkmann's 1968 revised edition of Schoenberg's piano music, one of which is in measure number five of the Suite's "Gavotte", G♭ instead of G♮. Henry Klumpenhouwer invokes Sigmund Freud's concept of parapraxes (i.e., mental slips) to suggest a psychological context explaining the deviation from the note predicted from the tone row. (en)
- La Suite pour piano opus 25 est un cycle de cinq pièces pour piano d'Arnold Schönberg. Composé entre 1921 et juillet 1923, ce recueil constitue le premier opus intégralement dodécaphonique du compositeur. En hommage à Bach, Schönberg reprend le schéma formel de la suite instrumentale constituée de danses en nombre variable et écrit les quatre derniers mouvements en notation allemande. (fr)
- 《피아노 모음곡 작품번호 25》은 1921년에서 1923년 사이에 아르놀트 쇤베르크가 작곡한 피아노 모음곡이다. 이는 쇤베르크가 모든 악장에서 한 줄의 "서로만 관련된 12음"을 사용한 가장 이른 작품이다. 이 모음곡의 기본 음조는 E–F–G–D♭–G♭–E♭–A♭–D–B–C–A♭이다. (ko)
- Сюита для фортепиано (нем. Suite für Klavier), соч. 25 ― додекафоническая пьеса Арнольда Шёнберга, написанная между 1921 и 1923 годами. Основная серия сюиты состоит из следующих звуков: E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭. Впервые композиция была исполнена учеником Шёнберга Эдуардом Штейерманом в Вене 25 февраля 1924 года. В данной работе Шёнберг впервые применяет технику транспозиции и инверсии серии, а также ракоходной имитации. (ru)
- Сюїта для фортепіано, op. 25 (нім. Suite für Klavier) — додекафонічна композиція для фортепіано австрійського композитора Арнольда Шенберга. (uk)
|
| prov:wasDerivedFrom
| |
| page length (characters) of wiki page
| |
| foaf:isPrimaryTopicOf
| |
| is Link from a Wikipage to another Wikipage
of | |
![[RDF Data]](/fct/images/sw-rdf-blue.png)
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)
