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Tasto solo is an Italian term used in music scores, usually on the continuo part, to indicate that a note or section should be played on its own, without harmony. The term tasto is Italian for key (as Italian "tastiera" is for fingerboard), so the part is to be played solo by the fingerboard instrument (e.g. cello) and not by the harmony instrument (e.g. harpsichord) where a basso continuo line is played by more than one instrument. The phrase first appeared in music theory books in the eighteenth century, but was used by composers such as Arcangelo Corelli before this time. C.P.E. Bach commented that, in practice, Italians did not play tasto solo.

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  • Tasto solo (fr)
  • Tasto solo (en)
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  • Tasto solo is an Italian term used in music scores, usually on the continuo part, to indicate that a note or section should be played on its own, without harmony. The term tasto is Italian for key (as Italian "tastiera" is for fingerboard), so the part is to be played solo by the fingerboard instrument (e.g. cello) and not by the harmony instrument (e.g. harpsichord) where a basso continuo line is played by more than one instrument. The phrase first appeared in music theory books in the eighteenth century, but was used by composers such as Arcangelo Corelli before this time. C.P.E. Bach commented that, in practice, Italians did not play tasto solo. (en)
  • Tasto solo est un terme italien utilisé dans les partitions musicales de musique ancienne et baroque, généralement sur la partie de continuo, pour indiquer qu'une note ou une phrase doit être jouée seule, sans harmonie. Le terme tasto est la traduction italienne pour clé (comme l'italien « tastiera » pour touche, « jouer la touche — la note — seule »), donc la partie doit être jouée mélodiquement en solo par l'instrument (par exemple le violoncelle) et non par l'instrument réalisant l'harmonie (par exemple le clavecin) où une ligne de basse continue est jouée par plus d'un instrument. (fr)
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  • Tasto solo est un terme italien utilisé dans les partitions musicales de musique ancienne et baroque, généralement sur la partie de continuo, pour indiquer qu'une note ou une phrase doit être jouée seule, sans harmonie. Le terme tasto est la traduction italienne pour clé (comme l'italien « tastiera » pour touche, « jouer la touche — la note — seule »), donc la partie doit être jouée mélodiquement en solo par l'instrument (par exemple le violoncelle) et non par l'instrument réalisant l'harmonie (par exemple le clavecin) où une ligne de basse continue est jouée par plus d'un instrument. L'expression est apparue pour la première fois dans les livres de théorie musicale au XVIIIe siècle, mais elle a été utilisée par des compositeurs comme Arcangelo Corelli avant cette époque. Carl Philipp Emanuel Bach fait remarquer que, dans la pratique, les Italiens ne jouaient pas en tasto solo. (fr)
  • Tasto solo is an Italian term used in music scores, usually on the continuo part, to indicate that a note or section should be played on its own, without harmony. The term tasto is Italian for key (as Italian "tastiera" is for fingerboard), so the part is to be played solo by the fingerboard instrument (e.g. cello) and not by the harmony instrument (e.g. harpsichord) where a basso continuo line is played by more than one instrument. The phrase first appeared in music theory books in the eighteenth century, but was used by composers such as Arcangelo Corelli before this time. C.P.E. Bach commented that, in practice, Italians did not play tasto solo. (en)
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