• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: The Man with a Cross     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFilmsDirectedByRobertoRossellini, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatBlack-and-whiteFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:WikicatItalian-languageFilmsyago:WikicatItalianDramaFilmsyago:WikicatItalianFilmsyago:WikicatItalianWarFilmsyago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1940sDramaFilmsyago:Wikicat1940sWarFilmsyago:Wikicat1943Filmsyago:WikicatFilmsDirectedByRobertoRossellini New Facet based on Instances of this Class

The Man with a Cross (Italian: L'uomo dalla croce) is a 1943 Italian war film directed by Roberto Rossellini and starring Alberto Tavazzi, and Attilio Dottesio. It was the final part of Rossellini's "Fascist trilogy" following The White Ship (1941) and A Pilot Returns (1942). It is loosely inspired by Reginaldo Giuliani, an Italian military chaplain who had been killed on active service.