About: The New Negro     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : dbo:WrittenWork, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FThe_New_Negro

The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. As a collection of the creative efforts coming out of the burgeoning New Negro Movement or Harlem Renaissance, the book is considered by literary scholars and critics to be the definitive text of the movement. "The Negro Renaissance" included Locke's title essay "The New Negro", as well as nonfiction essays, poetry, and fiction by writers including Countee Cullen, Langston Hughes, Zora Neale Hurston, Claude McKay, Jean Toomer, and Eric Walrond.

AttributesValues
rdf:type
rdfs:label
  • The New Negro (it)
  • The New Negro (en)
rdfs:comment
  • The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. As a collection of the creative efforts coming out of the burgeoning New Negro Movement or Harlem Renaissance, the book is considered by literary scholars and critics to be the definitive text of the movement. "The Negro Renaissance" included Locke's title essay "The New Negro", as well as nonfiction essays, poetry, and fiction by writers including Countee Cullen, Langston Hughes, Zora Neale Hurston, Claude McKay, Jean Toomer, and Eric Walrond. (en)
  • The New Negro: An Interpretation è un'antologia di narrativa, poesia e saggi di autori africani e afroamericani pubblicata nel 1925 da Albert e Charles Boni e curata dal Alain Locke, che viveva a Washington e insegnava alla Howard University durante il rinascimento di Harlem. Come esempio principale degli sforzi creativi provenienti dal fiorente New Negro Movement o Harlem Renaissance, il libro è considerato da critici e studiosi letterari come il testo definitivo del movimento. Il libro è diviso di due sezioni: (it)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/The_New_Negro_(book_cover).jpg
dc:publisher
  • Atheneum
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
Link from a Wikipage to an external page
sameAs
dbp:wikiPageUsesTemplate
thumbnail
editor
  • Alain Locke (en)
oclc
pub date
publisher
  • Atheneum (en)
has abstract
  • The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. As a collection of the creative efforts coming out of the burgeoning New Negro Movement or Harlem Renaissance, the book is considered by literary scholars and critics to be the definitive text of the movement. "The Negro Renaissance" included Locke's title essay "The New Negro", as well as nonfiction essays, poetry, and fiction by writers including Countee Cullen, Langston Hughes, Zora Neale Hurston, Claude McKay, Jean Toomer, and Eric Walrond. The New Negro: An Interpretation dives into how the African Americans sought social, political, and artistic change. Instead of accepting their position in society, Locke saw the new negro as championing and demanding civil rights. In addition, his anthology sought to change old stereotypes and replaced them with new visions of black identity that resisted simplification. The essays and poems in the anthology mirror real life events and experiences. The anthology reflects the voice of middle class African American citizens that wanted to have equal civil rights like their white, middle class counterparts. However, some writers, such as Langston Hughes, sought to give voice to the lower, working class. (en)
  • The New Negro: An Interpretation è un'antologia di narrativa, poesia e saggi di autori africani e afroamericani pubblicata nel 1925 da Albert e Charles Boni e curata dal Alain Locke, che viveva a Washington e insegnava alla Howard University durante il rinascimento di Harlem. Come esempio principale degli sforzi creativi provenienti dal fiorente New Negro Movement o Harlem Renaissance, il libro è considerato da critici e studiosi letterari come il testo definitivo del movimento. Il libro è diviso di due sezioni: * The Negro Renaissance, la quale include il saggio di Locke The New Negro, così come altri saggi non narrativi, poesia e narrativa di scrittori come Jean Toomer, Zora Neale Hurston, Countee Cullen, Langston Hughes e Claude McKay. * The Negro in a New World, la quale contiene analisi sociali e politiche di scrittori quali James Weldon Johnson, , , , e W. E. B. Du Bois. Oltre alle opere scritte, il libro è corredato da ritratti ad opera di e illustrazioni di . (it)
prov:wasDerivedFrom
page length (characters) of wiki page
OCLC
  • 640055594
foaf:isPrimaryTopicOf
is Link from a Wikipage to another Wikipage of
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 59 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software