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Time–space compression (also known as space–time compression and time–space distanciation) is a Marxist idea referring to the altering of the qualities of space–time and the relationship between space and time that is a consequence of the expansion of capital. It is rooted in Karl Marx's theory of the "annihilation of space by time" originally elaborated in the Grundrisse, and was later articulated by Marxist geographer David Harvey in his book The Condition of Postmodernity. A similar idea was proposed by Elmar Altvater in an article in PROKLA in 1987, translated into English as "Ecological and Economic Modalities of Time and Space" and published in Capitalism Nature Socialism in 1990.

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  • Dromologie (de)
  • Dromologie (fr)
  • Dromologia (pt)
  • Time–space compression (en)
  • Дромология (ru)
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  • La dromologie est l’étude du rôle joué par la vitesse dans les sociétés modernes. Ce néologisme, créé par l’urbaniste et philosophe, Paul Virilio, vient du grec dromos (« course ») et logos (« science »). Pour l'inventeur du concept, la philosophie a longtemps ignoré la vitesse, considérant que le temps, c’était la durée. Le terme ne commence à avoir du sens qu'avec la révolution des transports au XIXe siècle et se poursuit avec les technologies de la communication au XXe siècle. L’invention de la théorie de la relativité posera la vitesse comme un ultime absolu. (fr)
  • Dromologia é a ciência (ou a lógica) que estuda os efeitos da velocidade na sociedade. Pode ser também qualificada como o estudo dos impactos culturais e sociais produzidos pelas novas tecnologias. Este termo foi criado pelo filósofo francês Paul Virilio. (pt)
  • Дромолóгия — теория скорости французского философа и архитектурного критика Поля Вирильо, основной идеей которой является понимание скорости как репрезентации работы социально-политической машины, обладающей разрушительной силой. Концепция дромологии впервые рассматривается в труде «Скорость и политика» (1977) Поля Вирильо, а далее теория развивается в сочинении «Информационная бомба» (2000). Это тематизация и концептуализация феномена «скорости», каким он был презентован в искусстве и политике современности.В. И. Вернадский, В. В. Буряк (ru)
  • Als Dromologie (zu altgriechisch dromos (Rennbahn) und logos (Wissenschaft), „Logik des Laufs“) bezeichnet man eine um 1977 von Paul Virilio (1932–2018) entwickelte und Forschungs- und Sichtweise zur Untersuchung gesellschaftlicher Verhältnisse. Dromologie ist die Theorie vom Wesen der Geschwindigkeit und Beschleunigung. Somit kann das seinerzeit von Virilio betriebene medientheoretische, historische und epistemologische Erforschen von Geschwindigkeit ein Türöffner bei der Untersuchung von sozialen Verhältnissen sein. Dromologie bezieht sich auf die Bedeutung von geschichtlichen Etappen und gesellschaftlichen Entwicklungen als Ausdrucksformen sich beständig wandelnder Geschwindigkeitsverhältnisse von sozialem Geschehen, welche eng mit Mediengeschichte und somit technischem Fortschritt ve (de)
  • Time–space compression (also known as space–time compression and time–space distanciation) is a Marxist idea referring to the altering of the qualities of space–time and the relationship between space and time that is a consequence of the expansion of capital. It is rooted in Karl Marx's theory of the "annihilation of space by time" originally elaborated in the Grundrisse, and was later articulated by Marxist geographer David Harvey in his book The Condition of Postmodernity. A similar idea was proposed by Elmar Altvater in an article in PROKLA in 1987, translated into English as "Ecological and Economic Modalities of Time and Space" and published in Capitalism Nature Socialism in 1990. (en)
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  • Als Dromologie (zu altgriechisch dromos (Rennbahn) und logos (Wissenschaft), „Logik des Laufs“) bezeichnet man eine um 1977 von Paul Virilio (1932–2018) entwickelte und Forschungs- und Sichtweise zur Untersuchung gesellschaftlicher Verhältnisse. Dromologie ist die Theorie vom Wesen der Geschwindigkeit und Beschleunigung. Somit kann das seinerzeit von Virilio betriebene medientheoretische, historische und epistemologische Erforschen von Geschwindigkeit ein Türöffner bei der Untersuchung von sozialen Verhältnissen sein. Dromologie bezieht sich auf die Bedeutung von geschichtlichen Etappen und gesellschaftlichen Entwicklungen als Ausdrucksformen sich beständig wandelnder Geschwindigkeitsverhältnisse von sozialem Geschehen, welche eng mit Mediengeschichte und somit technischem Fortschritt verbunden sind. (de)
  • La dromologie est l’étude du rôle joué par la vitesse dans les sociétés modernes. Ce néologisme, créé par l’urbaniste et philosophe, Paul Virilio, vient du grec dromos (« course ») et logos (« science »). Pour l'inventeur du concept, la philosophie a longtemps ignoré la vitesse, considérant que le temps, c’était la durée. Le terme ne commence à avoir du sens qu'avec la révolution des transports au XIXe siècle et se poursuit avec les technologies de la communication au XXe siècle. L’invention de la théorie de la relativité posera la vitesse comme un ultime absolu. (fr)
  • Time–space compression (also known as space–time compression and time–space distanciation) is a Marxist idea referring to the altering of the qualities of space–time and the relationship between space and time that is a consequence of the expansion of capital. It is rooted in Karl Marx's theory of the "annihilation of space by time" originally elaborated in the Grundrisse, and was later articulated by Marxist geographer David Harvey in his book The Condition of Postmodernity. A similar idea was proposed by Elmar Altvater in an article in PROKLA in 1987, translated into English as "Ecological and Economic Modalities of Time and Space" and published in Capitalism Nature Socialism in 1990. Time–space compression occurs as a result of technological innovations driven by the global expansion of capital that condense or elide spatial and temporal distances, including technologies of communication (telegraph, telephones, fax machines, Internet) and travel (rail, cars, trains, jets), driven by the need to overcome spatial barriers, open up new markets, speed up production cycles, and reduce the turnover time of capital. According to Paul Virilio, time-space compression is an essential facet of capitalist life, saying that "we are entering a space which is speed-space ... This new other time is that of electronic transmission, of high-tech machines, and therefore, man is present in this sort of time, not via his physical presence, but via programming" (qtd. in Decron 71). In Speed and Politics, Virilio coined the term dromology to describe the study of "speed-space". Virilio describes velocity as the hidden factor in wealth and power, where historical eras and political events are effectively speed-ratios. In his view, acceleration destroys space and compresses time in ways of perceiving reality. Theorists generally identify two historical periods in which time–space compression occurred; the period from the mid-19th century to the beginnings of the First World War, and the end of the 20th century. In both of these time periods, according to Jon May and Nigel Thrift, "there occurred a radical restructuring in the nature and experience of both time and space ... both periods saw a significant acceleration in the pace of life concomitant with a dissolution or collapse of traditional spatial co-ordinates". (en)
  • Dromologia é a ciência (ou a lógica) que estuda os efeitos da velocidade na sociedade. Pode ser também qualificada como o estudo dos impactos culturais e sociais produzidos pelas novas tecnologias. Este termo foi criado pelo filósofo francês Paul Virilio. (pt)
  • Дромолóгия — теория скорости французского философа и архитектурного критика Поля Вирильо, основной идеей которой является понимание скорости как репрезентации работы социально-политической машины, обладающей разрушительной силой. Концепция дромологии впервые рассматривается в труде «Скорость и политика» (1977) Поля Вирильо, а далее теория развивается в сочинении «Информационная бомба» (2000). Это тематизация и концептуализация феномена «скорости», каким он был презентован в искусстве и политике современности.В. И. Вернадский, В. В. Буряк (ru)
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