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In music theory, a Viennese trichord (also Viennese fourth chord and tritone-fourth chord), named for the Second Viennese School, is a pitch set with prime form (0,1,6). Its Forte number is 3-5. The sets C–D♭–G♭ and C–F♯–G are both examples of Viennese trichords, though they may be voiced in many ways. According to Henry Martin, "[c]omposers such as Webern ... are partial to 016 trichords, given their 'more dissonant' inclusion of ics 1 and 6."

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  • Tricordo viennese (it)
  • Viennese trichord (en)
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  • In music theory, a Viennese trichord (also Viennese fourth chord and tritone-fourth chord), named for the Second Viennese School, is a pitch set with prime form (0,1,6). Its Forte number is 3-5. The sets C–D♭–G♭ and C–F♯–G are both examples of Viennese trichords, though they may be voiced in many ways. According to Henry Martin, "[c]omposers such as Webern ... are partial to 016 trichords, given their 'more dissonant' inclusion of ics 1 and 6." (en)
  • Nella teoria musicale, un Tricordo viennese (anche chiamato accordo di quarta viennese e accordo tritono di quarta), così chiamato dalla Seconda scuola di Vienna, è un insieme con forma primaria (0,1,6). Il suo numero di Forte è 3-5. Gli insiemi Do–Re♭–Sol♭ e Do–Fa♯–Sol sono entrambi esempi di tricordi viennesi, sebbene possano essere arrangiati in molti modi. Audio playback is not supported in your browser. You can . Secondo Henry Martin, "compositori come Webern... sono parziali con i tricordi 016, dato il loro inserimento "più dissonante" degli intervalli di classe 1 e 6." (it)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Bill_Evans's_%22What_Is_This_Thing_Called_Love%22_Viennese_trichord.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Viennese_trichord.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Viennese_trichord_as_dominant.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Viennese_trichord_quartal.png
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third interval
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  • In music theory, a Viennese trichord (also Viennese fourth chord and tritone-fourth chord), named for the Second Viennese School, is a pitch set with prime form (0,1,6). Its Forte number is 3-5. The sets C–D♭–G♭ and C–F♯–G are both examples of Viennese trichords, though they may be voiced in many ways. According to Henry Martin, "[c]omposers such as Webern ... are partial to 016 trichords, given their 'more dissonant' inclusion of ics 1 and 6." In jazz and popular music, the chord formed by the inversion of the set usually has a dominant function, being the third, seventh, and added fourth/eleventh of a dominant chord with elided root (and fifth, see jazz chord). For example, the Viennese trichord of C-F#-G could be considered a D11/C: D (elided) - F# - A (elided) - C - G. (en)
  • Nella teoria musicale, un Tricordo viennese (anche chiamato accordo di quarta viennese e accordo tritono di quarta), così chiamato dalla Seconda scuola di Vienna, è un insieme con forma primaria (0,1,6). Il suo numero di Forte è 3-5. Gli insiemi Do–Re♭–Sol♭ e Do–Fa♯–Sol sono entrambi esempi di tricordi viennesi, sebbene possano essere arrangiati in molti modi. Audio playback is not supported in your browser. You can . Secondo Henry Martin, "compositori come Webern... sono parziali con i tricordi 016, dato il loro inserimento "più dissonante" degli intervalli di classe 1 e 6." Nel jazz e nella musica popolare l'accordo di solito ha una funzione dominante, essendo il terzo, il settimo e sesto/tredicesimo aggiunto di un accordo dominante con radice elisa (e quinto, come nell'accordo del jazz). Audio playback is not supported in your browser. You can . (it)
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  • Viennese trichord (en)
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