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Motion Graphics is the self-titled debut studio album of American musician Joe Williams' project Motion Graphics. Williams initially planned it to be "a synth pop record without any nostalgia," and this plan turned into an ambient album about the feeling of being able to go to limitless places due to technology. In achieving this feel, Williams used the visual programming language Max for Live to create a virtual instrument that scrolled through 100 patches at random; when a note was inputed, the instrument froze at a patch. The record's overall sound palette is a combination of organic and non-organic elements; when using software instruments that replicated real-life instruments, such as clarinets and marimbas, Williams wanted to take advantage of the “quirks and glitches within them" th