Song at Midnight (simplified Chinese: 夜半歌声; traditional Chinese: 夜半歌聲; pinyin: Yèbàn gēshēng, also known as Midnight Song, Singing at Midnight or literally "Midnight Voice") is a 1937 Chinese film directed by Ma-Xu Weibang, a director best known for his work in the horror genre. Often referred to as the first Chinese horror film, or as the first horror-musical, Song at Midnight draws influence from the 1923 film The Hunchback of Notre Dame, as well as the 1910 novel The Phantom of the Opera (Le Fantôme de l'Opéra) by Gaston Leroux and its 1925 film adaptation of the same name.