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Subject Item
dbr:American_folk_music
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美国民谣 Rootsmusik Американская народная музыка Música folclórica de Estados Unidos American folk music
rdfs:comment
The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." Rootsmusik bezeichnet die traditionelle Volksmusik eines Landes. Der Begriff wird häufig gebraucht, wenn sich Rockmusiker oder von Rock geprägte Musiker der überlieferten Musik ihrer Region, aber auch anderen traditionellen Musikstilen zuwenden. Die Bezeichnung wird oft auf den US-amerikanischen Kontext, wo junge Musiker immer wieder archaische US-amerikanische Stile wie Folk, Blues und Country aufgreifen, angewandt. Er wird aber auch in Bezug auf die so genannte Weltmusik benutzt. 美国民谣(英語:American folk music),有時也被叫做“根音乐(Roots music)”,是一个广泛范围概念,其中包括蓝草音乐、乡村音乐、福音音乐、、、、蓝调、和。此音乐冠以“美国的”,一方面因为其出于美国,另一方面尽管原来源于外域,但其后來发展于美国;之所以稱為“根音乐”,是因為後續在美國發展出來的諸如摇滚、节奏藍調和爵士乐等風格,皆以此為根基。 美國民間音樂一詞,涵蓋眾多音樂流派,各種稱為傳統音樂、傳統民間音樂、當代民間音樂或根音樂。許多傳統歌曲已經在同一個家庭或民間團體內傳世幾代,有時會追溯到英國、歐洲或非洲等地。音樂家曾經評論說,美國民間音樂的定義是“......所有符合裂痕的音樂”。 Американская народная музыка (англ. American folk music) — музыкальный фольклор коренных народов и переселенцев в США. Варьируется по многочисленным региональным и этническим группам США. Для различных индейских племён характерен свой вариант народной музыки. Европейские поселенцы и африканские рабы привезли в страну собственные музыкальные инструменты и традиции. Европейцы — скрипки и фортепиано, а африканцы — технологию изготовления аналога современного банджо и технику игры на нём. К XIX веку на этих инструментах играли как белые, так и черные американцы, зачастую в совершенно разной манере. Белые поселенцы внедрили в американскую музыкальную культуру баллады, а чернокожие — форму «вопрос-ответ». Хотя в силу закона расы были четко разделены, обмен музыкальными идеями и инструментами был Las formas de la música de las raíces alcanzaron sus formas más expresivas y variadas en las primeras dos o tres décadas del siglo XX. La gran depresión y el Dust Bowl fueron muy importantes para la diseminación de estos estilos musicales por el resto del país, como los maestros del Delta blues, los cantantes ambulantes del honky tonk y los músicos latinos y cajunes diseminados por ciudades como Chicago, Los Ángeles y Nueva York. El crecimiento de la industria discográfica en el mismo período aproximado fue también importante; los posibles y crecientes beneficios de la música presionaron a los artistas, compositores y ejecutivos de las discográficas a repetir los hits de las canciones anteriores. Esto significó que modas pasajeras como la guitarra slack-key de Hawái nunca muriera completam
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"The Yellow Rose of Texas" performed by the United States Coast Guard Band Stephen Foster's "Oh! Susanna" performed by the United States Navy Concert Band
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Blowin' in the Wind: Pop discovers folk music "Oh! Susanna" "Yellow Rose Of Texas"
dbo:abstract
Las formas de la música de las raíces alcanzaron sus formas más expresivas y variadas en las primeras dos o tres décadas del siglo XX. La gran depresión y el Dust Bowl fueron muy importantes para la diseminación de estos estilos musicales por el resto del país, como los maestros del Delta blues, los cantantes ambulantes del honky tonk y los músicos latinos y cajunes diseminados por ciudades como Chicago, Los Ángeles y Nueva York. El crecimiento de la industria discográfica en el mismo período aproximado fue también importante; los posibles y crecientes beneficios de la música presionaron a los artistas, compositores y ejecutivos de las discográficas a repetir los hits de las canciones anteriores. Esto significó que modas pasajeras como la guitarra slack-key de Hawái nunca muriera completamente, como los ritmos, los instrumentos o los estilos vocales fueran incorporados en géneros dispares. En los años 1950, todas las formas de la música de las raíces habían conducido a formas orientadas al pop. Músicos folclóricos como The Kingston Trio, el pop-tejano y las fusiones cubano-americanas como el boogaloo, el cha-cha-cha y el mambo, derivados del blues como el rock and roll y el rockabilly, el pop-gospel, el doo wop y el R&B (posteriormente secularizada en la música soul) y el Nashville sound en la música country, todas modernizaron y expandieron el coro musical del país. Rootsmusik bezeichnet die traditionelle Volksmusik eines Landes. Der Begriff wird häufig gebraucht, wenn sich Rockmusiker oder von Rock geprägte Musiker der überlieferten Musik ihrer Region, aber auch anderen traditionellen Musikstilen zuwenden. Die Bezeichnung wird oft auf den US-amerikanischen Kontext, wo junge Musiker immer wieder archaische US-amerikanische Stile wie Folk, Blues und Country aufgreifen, angewandt. Er wird aber auch in Bezug auf die so genannte Weltmusik benutzt. The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." Roots music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later developed in the United States, including rock and roll, rhythm and blues, and jazz. Американская народная музыка (англ. American folk music) — музыкальный фольклор коренных народов и переселенцев в США. Варьируется по многочисленным региональным и этническим группам США. Для различных индейских племён характерен свой вариант народной музыки. Европейские поселенцы и африканские рабы привезли в страну собственные музыкальные инструменты и традиции. Европейцы — скрипки и фортепиано, а африканцы — технологию изготовления аналога современного банджо и технику игры на нём. К XIX веку на этих инструментах играли как белые, так и черные американцы, зачастую в совершенно разной манере. Белые поселенцы внедрили в американскую музыкальную культуру баллады, а чернокожие — форму «вопрос-ответ». Хотя в силу закона расы были четко разделены, обмен музыкальными идеями и инструментами было остановить невозможно. После того, как США освободились от британского правления, стали появляться новые музыкальные гибриды, которые пожили основу собственной, чисто американской народной музыке, которую можно было услышать уже в начале XIX века. 美国民谣(英語:American folk music),有時也被叫做“根音乐(Roots music)”,是一个广泛范围概念,其中包括蓝草音乐、乡村音乐、福音音乐、、、、蓝调、和。此音乐冠以“美国的”,一方面因为其出于美国,另一方面尽管原来源于外域,但其后來发展于美国;之所以稱為“根音乐”,是因為後續在美國發展出來的諸如摇滚、节奏藍調和爵士乐等風格,皆以此為根基。 美國民間音樂一詞,涵蓋眾多音樂流派,各種稱為傳統音樂、傳統民間音樂、當代民間音樂或根音樂。許多傳統歌曲已經在同一個家庭或民間團體內傳世幾代,有時會追溯到英國、歐洲或非洲等地。音樂家曾經評論說,美國民間音樂的定義是“......所有符合裂痕的音樂”。
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