This HTML5 document contains 129 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
dcthttp://purl.org/dc/terms/
yago-reshttp://yago-knowledge.org/resource/
dbohttp://dbpedia.org/ontology/
foafhttp://xmlns.com/foaf/0.1/
n21https://global.dbpedia.org/id/
yagohttp://dbpedia.org/class/yago/
dbthttp://dbpedia.org/resource/Template:
rdfshttp://www.w3.org/2000/01/rdf-schema#
dbpedia-svhttp://sv.dbpedia.org/resource/
freebasehttp://rdf.freebase.com/ns/
n15http://commons.wikimedia.org/wiki/Special:FilePath/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
owlhttp://www.w3.org/2002/07/owl#
dbpedia-ithttp://it.dbpedia.org/resource/
wikipedia-enhttp://en.wikipedia.org/wiki/
dbpedia-frhttp://fr.dbpedia.org/resource/
dbchttp://dbpedia.org/resource/Category:
dbphttp://dbpedia.org/property/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
wikidatahttp://www.wikidata.org/entity/
goldhttp://purl.org/linguistics/gold/
n20http://musicbrainz.org/work/
dbrhttp://dbpedia.org/resource/

Statements

Subject Item
dbr:Belfagor
rdf:type
yago:WikicatOperasBasedOnPlays dbo:TelevisionShow yago:MusicGenre107071942 yago:WikicatItalian-languageOperas yago:Opera107026352 yago:ClassicalMusic107025900 yago:Music107020895 yago:Abstraction100002137 yago:Wikicat1923Operas yago:ExpressiveStyle107066659 yago:Communication100033020 yago:AuditoryCommunication107109019 yago:WikicatOperasByOttorinoRespighi owl:Thing
rdfs:label
Belfagor (opera) Belfagor (opera) Belfagor Belfagor
rdfs:comment
Belfagor (premiere 26 April 1923) is an Italian-language opera by the composer Ottorino Respighi to a libretto by Claudio Guastalla (1880–1948) based on the comedy Belfagor of Ercole Luigi Morselli (1882–1921), itself loosely based on the novella Belfagor arcidiavolo by Niccolò Machiavelli. It was premiered in 1923 at La Scala in Milan, under the baton of Antonio Guarnieri, since Toscanini was unavailable. The cast featured Irish soprano Margaret Burke Sheridan as Candida, baritone Mariano Stabile as her lover Baldo, and tenor Francesco Merli as the titular Belfagor, a "arcidiavolo" who tries to marry a human maiden while in disguise as a nobleman, using gifts of money to her father. Belfagor P 137 è una commedia lirica di Ottorino Respighi su libretto di Claudio Guastalla, basato sul dramma Belfagor di Ercole Luigi Morselli. L'opera venne rappresentata per la prima volta a Milano al Teatro alla Scala il 26 aprile 1923. Belfagor är en komisk opera i prolog, två akter och epilog med musik av Ottorino Respighi och libretto av , byggd på pjäs med samma namn (1919), fritt efter Niccolò Machiavellis kortroman Belphagor eller om dårskapen att taga sig hustru (ca 1520). Belfagor P 137 est un opéra en 1 prologue, 2 actes, 1 épilogue d'Ottorino Respighi sur un livret de Claudio Guastalla, basé sur la comédie Belfagor de Ercole Luigi Morselli (1882-1921), elle-même basée sur le (en) de Nicolas Machiavel. La première représentation a eu lieu le 26 avril 1923 à la Scala de Milan sous la direction d'Antonio Guarnieri, car Toscanini n'était pas disponible.
dbp:name
Belfagor
foaf:depiction
n15:La_piazzetta_di_un_piccolo_paese_del_litorale_toscano,_bozzetto_di_Cesare_Fratino_per_Belfagor_(1923)_-_Archivio_Storico_Ricordi_ICON009515.jpg
dct:subject
dbc:Adaptations_of_works_by_Niccolò_Machiavelli dbc:Italian-language_operas dbc:Operas_based_on_plays dbc:Operas_set_in_Italy dbc:Operas_by_Ottorino_Respighi dbc:Operas dbc:1923_operas
dbo:wikiPageID
24054524
dbo:wikiPageRevisionID
1124916391
dbo:wikiPageWikiLink
dbr:Xylophone dbr:Ercole_Luigi_Morselli dbr:La_Scala dbr:Double_bassoon dbr:Handbell dbr:Gong dbr:E-flat_clarinet dbr:Tuba dbr:Tenor dbr:Libretto dbr:String_section dbr:Celesta dbr:Soprano dbr:Timpani dbr:Piccolo dbr:Sylvia_Sass dbr:Baritone dbr:Niccolò_Machiavelli dbr:Lamberto_Gardelli dbc:Italian-language_operas dbr:Francesco_Merli dbr:Ratchet_(instrument) dbr:László_Polgár_(bass) dbr:Belfagor_arcidiavolo dbr:Bass_(voice_type) dbc:Operas_by_Ottorino_Respighi dbc:Operas_based_on_plays dbr:Antonio_Guarnieri dbr:Oboe dbr:Filippo_Tommaso_Marinetti dbr:Claudio_Guastalla dbc:Operas_set_in_Italy dbr:Ottorino_Respighi dbr:Harp dbc:Operas dbr:Drum dbr:Bell dbr:Hungaroton dbr:Trumpet dbr:Margaret_Burke_Sheridan dbr:Mariano_Stabile dbr:SATTB dbr:Trombone dbr:Bass_drum dbr:Voice_type dbr:Mezzo-soprano dbc:1923_operas dbr:Bassoon dbr:French_horn dbr:Opera dbr:Arturo_Toscanini dbr:Cymbal dbc:Adaptations_of_works_by_Niccolò_Machiavelli dbr:Western_concert_flute dbr:Futurism dbr:Clarinet dbr:English_horn dbr:Triangle_(musical_instrument) dbr:Giorgio_Lamberti
owl:sameAs
dbpedia-fr:Belfagor wikidata:Q3637565 yago-res:Belfagor freebase:m.04jrk7w dbpedia-sv:Belfagor_(opera) n20:ec3c6f3f-0a99-4ecf-9167-981c7604f194 n21:3MExX dbpedia-it:Belfagor_(opera)
dbp:wikiPageUsesTemplate
dbt:Start_date dbt:Authority_control dbt:IMSLP dbt:Portal_bar dbt:For dbt:Reflist dbt:Based_on dbt:Short_description dbt:Infobox_opera dbt:Ottorino_Respighi dbt:Ill
dbo:thumbnail
n15:La_piazzetta_di_un_piccolo_paese_del_litorale_toscano,_bozzetto_di_Cesare_Fratino_per_Belfagor_(1923)_-_Archivio_Storico_Ricordi_ICON009515.jpg?width=300
dbp:caption
Set design by Cesare Fratino for the Prologue in the first
dbp:cname
Belfagor
dbp:composer
dbr:Ottorino_Respighi
dbp:imageUpright
1.3
dbp:language
Italian
dbp:premiereDate
1923-04-26
dbp:premiereLocation
La Scala, Milan
dbp:work
Belfagor
dbo:abstract
Belfagor P 137 est un opéra en 1 prologue, 2 actes, 1 épilogue d'Ottorino Respighi sur un livret de Claudio Guastalla, basé sur la comédie Belfagor de Ercole Luigi Morselli (1882-1921), elle-même basée sur le (en) de Nicolas Machiavel. La première représentation a eu lieu le 26 avril 1923 à la Scala de Milan sous la direction d'Antonio Guarnieri, car Toscanini n'était pas disponible. Belfagor är en komisk opera i prolog, två akter och epilog med musik av Ottorino Respighi och libretto av , byggd på pjäs med samma namn (1919), fritt efter Niccolò Machiavellis kortroman Belphagor eller om dårskapen att taga sig hustru (ca 1520). Belfagor P 137 è una commedia lirica di Ottorino Respighi su libretto di Claudio Guastalla, basato sul dramma Belfagor di Ercole Luigi Morselli. L'opera venne rappresentata per la prima volta a Milano al Teatro alla Scala il 26 aprile 1923. Lo spettacolo ebbe un consenso «pieno e cordiale», con numerose chiamate per l'autore, ma i giudizi della critica furono discordi: si passò dall'entusiasmo di Marinetti (affascinato degli aspetti futuristi dell'opera) e del critico S. A. Lucani, a coloro che giudicarono l'opera e il libretto per nulla divertenti. Gaetano Cesari scrisse che il lavoro gli pareva un tentativo non del tutto riuscito di fondere nell'opera comica «il meraviglioso e il buffo, il miracoloso e il sentimentale» e che mancassero «l'incisività dell'idea melodica e la capacità di quest'idea di svolgersi rapidamente», con conseguente senso di uniformità, dannoso all'espressione comica. Belfagor (premiere 26 April 1923) is an Italian-language opera by the composer Ottorino Respighi to a libretto by Claudio Guastalla (1880–1948) based on the comedy Belfagor of Ercole Luigi Morselli (1882–1921), itself loosely based on the novella Belfagor arcidiavolo by Niccolò Machiavelli. It was premiered in 1923 at La Scala in Milan, under the baton of Antonio Guarnieri, since Toscanini was unavailable. The cast featured Irish soprano Margaret Burke Sheridan as Candida, baritone Mariano Stabile as her lover Baldo, and tenor Francesco Merli as the titular Belfagor, a "arcidiavolo" who tries to marry a human maiden while in disguise as a nobleman, using gifts of money to her father. The première obtained a "full and warm" approval, with several curtain calls for the composer, but the opinion of the critics was divided, ranging from the enthusiasm of Marinetti, enchanted by the futuristic aspects of the opera, and of the music critic S. A. Lucani, to those who judged opera and libretto absolutely not enjoyable. wrote that this work looked like an attempt, not fully accomplished, to merge in a comic opera "the fabolous and the clownish, the miraculous and the sentimental" and that the comic expressivity was damaged by the absence of "assertiveness of the melodic plan and its capacity to develop rapidly".
dbp:librettist
dbr:Claudio_Guastalla
gold:hypernym
dbr:Opera
prov:wasDerivedFrom
wikipedia-en:Belfagor?oldid=1124916391&ns=0
dbo:wikiPageLength
8125
foaf:isPrimaryTopicOf
wikipedia-en:Belfagor