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Subject Item
dbr:Cosmographia_(Bernardus_Silvestris)
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Космография (Бернард Сильвестр) Cosmographia (Bernardus Silvestris)
rdfs:comment
«Космография» — аллегорическая Бернарда Сильвестра на тему сотворения мира. Написана прозиметром (смесью прозы и стихов). Под сильнейшим влиянием позднего неоплатонизма, оказанным через вторые руки, Бернард создаёт синкретическую картину вселенной с высшими и низшими божествами, эманациями, астральными и природными духами, пропитанную культом плодородия. Cosmographia ("Cosmography"), also known as De mundi universitate ("On the totality of the world"), is a Latin philosophical allegory, dealing with the creation of the universe, by the twelfth-century author Bernardus Silvestris. In form, it is a prosimetrum, in which passages of prose alternate with verse passages in various classical meters. The philosophical basis of the work is the Platonism of contemporary philosophers associated with the cathedral school of Chartres—one of whom, Thierry of Chartres, is the dedicatee of the work. According to a marginal note in one early manuscript, the Cosmographia was recited before Pope Eugene III when he was traveling in France (1147–48).
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Cosmographia ("Cosmography"), also known as De mundi universitate ("On the totality of the world"), is a Latin philosophical allegory, dealing with the creation of the universe, by the twelfth-century author Bernardus Silvestris. In form, it is a prosimetrum, in which passages of prose alternate with verse passages in various classical meters. The philosophical basis of the work is the Platonism of contemporary philosophers associated with the cathedral school of Chartres—one of whom, Thierry of Chartres, is the dedicatee of the work. According to a marginal note in one early manuscript, the Cosmographia was recited before Pope Eugene III when he was traveling in France (1147–48). «Космография» — аллегорическая Бернарда Сильвестра на тему сотворения мира. Написана прозиметром (смесью прозы и стихов). Под сильнейшим влиянием позднего неоплатонизма, оказанным через вторые руки, Бернард создаёт синкретическую картину вселенной с высшими и низшими божествами, эманациями, астральными и природными духами, пропитанную культом плодородия.
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