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Statements

Subject Item
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Cris Cheek
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Cris Cheek (born 1955) is a British multimodal poet and scholar. He began his career working alongside Bill Griffiths and Bob Cobbing at the Poetry Society printshop in London and with the Writers Forum group, who met with regularity on the premises in Earls Court. During that time they co-founded a poetry performance group known as jgjgjgjgjgjgjg . . .(as long as you can say it that's our name) with Lawrence Upton and Clive Fencott. Subsequently cris collaborated on electronic music improvisations with "bang crash wallop" and released several cassettes through Balsam Flex. In 1981, he was a co-founder of Chisenhale Dance Space.
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Cris Cheek
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Cris Cheek
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Enfield Town, London, England
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Cris Cheek (born 1955) is a British multimodal poet and scholar. He began his career working alongside Bill Griffiths and Bob Cobbing at the Poetry Society printshop in London and with the Writers Forum group, who met with regularity on the premises in Earls Court. During that time they co-founded a poetry performance group known as jgjgjgjgjgjgjg . . .(as long as you can say it that's our name) with Lawrence Upton and Clive Fencott. Subsequently cris collaborated on electronic music improvisations with "bang crash wallop" and released several cassettes through Balsam Flex. In 1981, he was a co-founder of Chisenhale Dance Space. His music and sound collaborations include Slant (a trio with Philip Jeck and Sianed Jones). His radio program "Music of Madagascar" produced for BBC Radio 3 won a Sony Gold Specialist Award (now Radio Academy Awards) in 1995. He taught performance writing courses at Dartington College of Arts, where he became a research fellow in interdisciplinary text (2000–2002). A large body of interdisciplinary performance writing was produced in collaboration with Kirsten Lavers under the author function Things Not Worth Keeping between 1999 and 2007. In 2005, he became a professor at Miami University in Ohio. He was Altman Fellow in The Humanities Center at Miami University in 2011 and 2012, co-presenting the Networks and Power symposium and a conference on Network Archaeology, from which an issue of the online journal Amodern, co-edited with Nicole Starosielski and Braxton Soderman, was published.In 2017-19 he worked alongside Mack Hagood to develop and produce the inaugural season of the Phantom Power podcast.
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